Beating the ‘inner mechanical magician’ within….

•June 25, 2013 • Leave a Comment

img_0649At age thirteen I had been performing magic for a few years and felt very ‘at home’ doing it.  OK, let’s be honest, like every other thirteen year old I thought I was the greatest thing to hit magic since Houdini!  I was living in England near the South Coast town of Brighton and was a proud member of the Sussex Magic Circle.  This oddball collection of magicians met every other Thursday in a small hotel on the waterfront.  We swapped stories and tricks and generally indulged our mutual love of magic. It was a delightful way to enter the world of magic.

One of my favorites performers was a gentleman named Stan who performed as a mentalist and I learned a very important lesson from Stan; whenever Stan was about to do the dirty work or move, he would cough.  It wasn’t a big cough, just a little dry cough, but the moment you heard it you knew something was about to happen.

This was the first time I really noticed the mechanical nature of a fellow human being. He didn’t want to cough; in fact he had no idea that he did cough. It became a fascination to me watching Stan perform his mentalism, just waiting for the dry little cough that signaled his guilty action.  Month after month I watched him perform and cough. How could anyone be so foolish that they didn’t know that they were giving the game away by a small mechanical habit?

We will now flash forward to two years later: when my first real mentor was teaching me my first real magic I gave me an unexpected existential shock. I was in the middle of a lesson with Ken Brooke on Dai Vernon’s symphony of the rings when Ken stopped his tuition and very seriously said; “Nicky every time you link the rings you close your eyes!”  I thought at first he was joking but quickly realized he wasn’t.  I argued that this wasn’t possible and went over to the looking glass to prove to myself that this wasn’t the case.

I ran through the routine with my eyes glued to the mirror but never noticed any closing of the eyes at key moments.  Ken had it all wrong.  However the truth suddenly dawned on me and I realized the reason I couldn’t see my closed eyes was because at that particular moment my eyes were closed!  It was like a light bulb turning on in my head.  The reason we don’t notice mechanical reactions is because they are mechanical.

Years later when I read G.I. Gurdjieff’s description of the mechanical nature of Mankind it made perfect sense to me.  Whether it was Stan’s cough or my closed eyes we didn’t notice it because our actions (and especially our reactions) were mechanical as soon as we stopped thinking about them.

If we couldn’t see what we were doing it was because our eyes were closed or we were too busy coughing and if this was true with the little things chances are it was equally true with the bigger things.

There is a Zen story of a Japanese master who would ride his donkey around the village at a great speed while searching for something.  If any one asked him what he was looking for he would reply that he was looking for his donkey.  This story is generally interpreted to mean that when you use your nervous system to search for the ‘truth’ you will never find it because your personal truth is contained within your nervous system. It is the donkey you are riding on and searching for.

The wonderful English philosopher Alan Watts used to frequently talk about the inability of a tooth to bite itself, a fingertip to touch its fingertip or the tongue to taste itself. Even more relevant to this example he would point out that an eye could never see itself unless looking in a mirror. If you have never come across the late Mr. Watts then you should check out his website and sign up for his pod cast which will guarantee you at least fifteen minutes of searing sanity every week. His website is located at alanwatts.com or his pod cast can also be subscribed to directly from iTunes.

As a magician we spend many hours standing in front of a mirror trying to make the impossible look not only possible but also ordinary and matter of fact. The performance of good magic relies on very careful and honest analysis of every movement and nuance of our physical body. It takes a long time to observe the coughs and blinks that exist just below the surface of our awareness.  When you discover the little things that give away your mechanical nature then it leaves you open to observe the BIG things we do just as mechanically.  This was a great lesson in being a magician and introduced me to a new angle on truth that I would explore and understand more fully when the time was right.

To show or to ‘over show,’ that is the question.

•June 21, 2013 • Leave a Comment

NickI thought I would write a column about the very simple and important topic of ‘showing things’ during a magic show, because it is really rather an important area. It is also a thing that needs to be done right, if they can’t see it then they won’t like it. However as the article progresses we will look at what exactly is too much when it comes to this topic.

One of the ground rules of a successful magic show is everybody getting to see what is happening and when it has happened. The key part here is to make sure that there is enough light that the item you are displaying can be seen. This sounds obvious but does need a little pre-thought. Displaying something in the dark doesn’t count.

When you are exhibiting something in a cabaret style setting or at an after dinner show, there are often strangely placed shafts of light from above that can really assist you in your goal. Those beams of light (which don’t turn off) that do so little to add atmosphere in a show, can be invaluable if you want to let the audience really see something clearly. Make sure you use them.

Other important factors in clearly displaying an item to your audience is how high in the air you hold it, what color is behind it and whether you really concentrate on the object as you display it. Always remember that the audience’s eyes follow what the performer is looking at. If you are in a position where your viewers might not be able to clearly make out what is being displayed then feel free to describe exactly what they should be seeing.  The old McComb theory of—“Tell them what you are going to do, when you are doing it and when it is done.”

That was a few words about ‘showing’ something, and for me the dead easy definition of showing something is ‘making sure it is seen.’ Let’s move on to another aspect of this same topic—‘over showing.’

I have seen many performers (including some rather famous ones) get so caught up in the physical process of showing an object, that the action of displaying it becomes a major part of the routine. Sometimes this is at the expense of taking the focus from the object that is involved in the action. Once a performer gets happy with his actions then he tends not to change them—even if they are wrong.

The correct way to display something for your viewer’s attention is to do it simply and clearly with the very minimum of unnecessary movements and actions.  Your goal is to show something and not to draw attention to yourself showing it. Ken Brooke used to insist that I ‘got’ the weight and feel of every object I performed with and if at all possible to toss in smartly in the air and catch it. Nothing makes a glass look empty like spinning it hand-to-hand in mid-air.

With manipulative magic, the too slow set up of an effect is often due to the performers consideration of his ‘character’ and how he might react. Hmm, maybe a cardsshort magic act needs to be equally driven by impact and character. Could you tighten up the preamble and add an extra trick to the show? Wouldn’t that be just as effective in making your character an integral part of the show?

Illusionists often seem to me to spend a great deal too much time displaying items whose significance has already been grasped by their viewers. There is a certain amount of ‘prop rapping’ and ‘blade banging’ that needs to be done when presenting an illusion, however I have seen the process of displaying the props take up so much time that they actually weaken the effect by making the running time longer than it truly needs to be. With illusionists there is also the more subtle business of choreography to consider. Now I have no problem with an elegant choreography that keeps things moving at a brisk pace, but I certainly see plenty of half-assed choreography that just detracts from the show by slowing it down.

Maybe you don’t need that bit of business when you pick up each sword individually, run your finger down the blade, throw it in the air, catch it, twist and turn before thrusting it into the box. A lot depends on how many damn swords there are!

The journey between artistic and boring can be a mighty small one to lay audiences.

The ‘groovy’ 17th Annual Dry Heat Golf Tournament and All Star Comedy Review.

•June 15, 2013 • Leave a Comment

IMG_3239Once again it is nearly time for one of the years truly fun events—The Dry Heat Classic. The 11th 12th and 13th of July are the dates for ‘The 17th Annual Dry Heat Classic Golf Tournament and All-Star Comedy Review.’ It will feature all the fun and spectacular entertainment that makes it such a wildly successful and enjoyable event each year.

The event is brought to you by The Michael Finney Foundation, and has resulted in nearly a million dollars being raised for a variety of great causes over the years. The event is planned, produced and hosted by one of the nicest teams in magic Michael Finney and his wife Lori SooHoo Finney. They do a truly amazing job of making it fun to be part of such a worthwhile event.

Once again the event will be held at the beautiful Wild Horse Pass Hotel & Casino in Chandler, Arizona. The beautiful showroom there will be the venue for the various shows associated with the event.  This year the ‘Dry Heat’ has a 60s theme that warms the heart of an old hippie like me. Finally a chance to wear one of my many headbands in public without worrying that I might be considered to be doing an Amazing Johnathan impression!

As always the tournament will kick of with a Gala Celebrity Chef’s Dinner/Silent & Live Auction. I was there two years ago and can still taste the cornucopia of exotic dishes prepared by some of the finest restaurants and chefs in the Phoenix area. There were great items in the auction and we ended up the delighted owners of a beautifully framed and signed David Copperfield photo for the wall of my magic loft.

Friday and Saturday the actual Golf Tournament takes place at the Southern Dunes Golf Club and Whirlwind Golf Club. The evenings are devoted to two great comedy and magic shows at the ‘Ovations Live’ Showroom back at the Wild Horse Pass Resort. As always the performers are a ‘Who’s Who’ from the entertainment world. These shows are also open to the public for the modest ticket price of $25.

The two headliners of these two comedy concerts are Ritch Shydner and comedy legend Gary MuleDeer. I have worked with Ritch in the past and on any given day Gary MuleDeerhe may well be one of the funniest comics in America. As for MuleDeer—well, I may be one of his biggest fans and in spite of having seen his act numerous times I am already in overdrive about seeing it again. If you have never seen Gary perform you are in for a treat.

There are numerous other performers slated to appear in these two shows including, Larry Wilson, Rick Michel, Jim O’Brien, Kenton Knepper, Jack Mayberry, Bruce Baum, Fielding West, Kenny Bob Davis, Stephen Bargatze, Oscar Munoz, Nate Bargatze, David Gee, Scott Henry, Tom Parks, Denny Johnston, Greg Wilson and a host of others. Oh, I’ll be up there onstage myself!

‘The 17th Annual Dry Heat’ takes place just a few days before the kick off for the IBM Magic Convention in Phoenix and is a special added bonus for convention goers who arrive in town a little early. One of the many things that Michael and Lori really ‘do right,’ is the fact that separate tickets can be purchased for most of the separate functions and events. I would draw your attention to Michael’s website www.michaelfinney.com which will give you details, times and prices for the various events. The number of the Ticket Box Office is 1.800.946.4452 extension 7370.

Buy that new tie-dye tee shirt you know you really want, put on your headband and be a part of this groovy event that has done so much for great causes in the last 16 years. Be there or be square!

Dry Heat 2013

Jeff ‘Big Daddy’ Wayne–Rocking the Laugh Factory in Las Vegas with Rich Hall.

•June 13, 2013 • Leave a Comment

Laugh Factory

Another Laugh Fest in the world famous Laugh Factory at the Tropicana Hotel here in Las Vegas from June 17th-23rd. Troplv.com 

Jeff-WayneWhat is better than a comedian who makes you laugh? How about three of them in a club that is designed to make it’s performers sparkle like jewels! This week The Laugh Factory at the Tropicana has hit the jackpot and for seven days you can enjoy three superb comedians for a ridiculously  reasonable entrance fee. Life is good! Headlining the bill is one of Saturday Night Live’s wryest alumni Rich Hall. Not only did Rich win the hearts and minds of American audiences but created something new under the sun–a ‘sniglet.’ Remember ‘sniglets’–any word that doesn’t appear in the dictionary but should. Rich had 5 ‘sniglet’ books published between 1984-9. Hall now spends much of his time living in England where he has a highly successful media career and retains high visibility in the comedy world.

Opening the bill at the ‘Laugh Factory’ is comedian Harris Peet who has entertained audiences across America with his own special brand of humor. Peet is also a master of vocal talents and has been featured on numerous TV and cartoons, including cult favorite ‘The Ren & Stimpy Show.’

When you make a living as a comedian/magician you inevitably get asked two questions, “Who is your favorite comedian?” and “Who is your favorite magician?’ I want to respond to the first of these questions, because the man who makes me laugh more than any other comedian is playing at the ‘Laugh Factory’ next week, and his name is Jeff Wayne, or as he is fondly known ‘Big Daddy.’ Wayne has recently been touring extensively with his critically successful one-man theatrical show ‘Big Daddy’s Barbeque’ and is taking time out from his theatre shows to return to his stand-up comedy roots as the feature act in the upcoming bill at the ‘Laugh Factory.’

Jeff is a veteran comic who has been seen on ABC, NBC, HBO, A&E, FOX and just about every other grouping of letters that comprise the TV arm of the Jeff Wayne at the Laugh Factory.entertainment industry. In fact it was on HBO’s classic charity event ‘Comic Relief’ that Robin Williams and Billy Crystal first dubbed him as ‘Big Daddy.’ Even they might have been amazed that after ‘Big Daddy’ fueled up the propane in his backyard barbeque, an NBC television pilot and standing room houses in theatres across the United States would follow and a  theatrical release movie of the show is now in the works. I suggest you visit his website www.jeffbigdaddywayne.com to watch some clips of this unique show which the ‘LA Times’ called, ‘Ferociously funny,’ and showbiz bible ‘Variety,’ described as, ‘A one-man riot!’

At the ‘Laugh Factory’ it will be the the pure distilled stand-up comedy of Jeff Wayne that will be entertaining the crowds in a full-throttled assault. Billed as ‘A troubled man for troubled times’ Wayne’s comedy gets laughs from topics as diverse as buying insurance from animated lizards on TV, psychic phenomena, Jerry Springer and maybe most relevantly– why exactly is Honey Boo Boo featured on the ‘Learning Channel.’ These do indeed seem to be troubled times on the face of it, however rest assured that with Jeff behind the wheel, your tour of such cultural phenomena will be a zero to 60 laughter outing, that will make you think, gasp and above all laugh.

If you have never seen Jeff shred an audience at a comedy club then you owe it to yourself to enjoy the experience before you can only do so at theatre prices. When regular people ask me that “Who is your favorite comedian?” question, I can tell whether they know much about comedy by their reaction to my response “Jeff Wayne,”–if they have ever seen ‘Big Daddy’ then they just nod in immediate understanding. Jeff is one of the true comedian’s comedians, who is afraid of nothing and can draw laughs from topics that lesser comic might be nervous about tackling. Since he might read this article I won’t embarrass Jeff by describing him as one of the most unique genius’ in the comedy business–but he is.

walla-walla-setbdbbq-72-shadow_0

From the Copperfield Perspective…….

•June 11, 2013 • Leave a Comment

Nick and DavidEvery civilian eventually asks a magician what he thinks about David Copperfield. Somewhere down the line they throw in the question, “How did he manage to vanish the Statue of Liberty? Then they wait for an answer. Yeh, right!

When they don’t get a response they begin to quiz you on which of his tricks you like the best. They always go through the list of ‘big’ tricks; the Lear Jet, walking through the great wall of China etc. etc. Eventually they ask you how he stayed inside that block of ice for so long!

I always ask them which one they liked the best and when they respond I smile excitedly and say, “Me too!” Well they are civilians after all and it wouldn’t mean much to them if I said, “I really liked the time he did ring flight and pretended to borrow the gaffed key case!

Truly that was a remarkable moment for me and when I first realized, “Whoa! This guy is big time.” I thought it was a piece of television magic that was nothing short of brilliant in its simplicity and effectiveness.

I cant really make it sound much more complicated than it was. He went into the audience and asked to borrow a key case that he put in his back pocket. He then went to another spectator and borrowed a ring. Next before you could say ‘Wam-bam-thank-you-mam!” the ring vanished and was hanging on the key chain when he removed it from his back pocket. He returned the key case and the ring to the people he borrowed them from. That was it: end of story!

It showed an understanding of the medium that really impressed me.

Not just the bold and sneaky approach he used in achieving his goal but the understanding of television’s strengths and weakness that lay behind it. To me much of David Copperfieldthe television magic that has been seen recently with Blaine and Angel have their roots in David’s breakthrough thinking.

I have always been a little dubious of the frequently quoted statement by Ted Anneman that it is quite acceptable to use an entire room full of confederates to fool one person. I mean, I agree in theory, but it just seems a little lacking in the time and energy department. To use one stooge to fool millions of viewers now that really gets my attention.

I enjoyed the way these kind of moments added to the texture and dynamics of Copperfield’s specials. David seemed to understand how to use the camera as a magnifying glass to achieve a specific goal. If a camera zooms in on a ring then its image fills the entire screen and appears to be enormous. In fact a ring can appear as big as the Statue of Liberty on TV and still not seem unnatural.

When the home audience view that Lear Jet on their TV set they understand that it is being reduced to home viewing size. However they don’t fully grasp the possibilities that the digitalization of the jet allow the performer to employ. In fact they usually fail to understand how fully the work of a magician can be assisted by the simple fact that if the ‘medium is the message’ then television is magic. It isn’t the same thing sitting in a movie theater because once again your perspective has changed.

Theater is Life, Movies are Art and Television is furniture! You feel very comfortable and unsuspecting when you are watching a trick on a box that lives in your living room with you!

So I just clam up when a civilian asks me which of David’s big tricks I like best. However since this is written for magicians I will be honest. It was when he borrowed the gaffed key case and did Ring Flight. That was when something really clicked in my mind.

‘Now you see me.’ I just couldn’t remember you 5 minutes later!

•June 10, 2013 • Leave a Comment

Now you see me....‘Now you see me’ is the new magic themed caper movie by director Louis Leterrier. I’m a sucker for any good caper movie and  likely to be especially enthused if there is a magic theme involved. However, this one really didn’t do more than fill in a couple of hours of a quiet Sunday for me. In all honesty the cinema was crowded and the audience seemed a lot more enthusiastic than I was– I still can’t quite understand why. The plot had more holes than a mountain of Swiss cheese and even cheesier in a slick kinda’ way. I didn’t hate it when I was watching it, but by the time the titles had finished rolling I had pretty much forgotten it.

The storyline revolves around a team of four magicians (The Four Horsemen) who use their magic to commit a series of ever escalating robberies while being tracked by a FBI/Interpol team led by Mark Ruffalo and Melanie Laurent. The ‘Horsemen’ are played by; Jesse Eisenberg, Woody Harrelson, Isla Fisher and Dave Franco. The best part of the movie for me was the opening scenes that united this essentially non-disparate team of magicians into a sophisticated bunch of high tech bank robbers. Two of my favorite actors are along for the ride in character roles, the ever reliable Michael Caine and Morgan Freeman.

Michael Caine plays a wealthy insurance magnet, who for some unexplained reason decides to bankroll ‘The Four Horsemen’ into becoming mega stars performing in arena like settings. This must have been one of those movies where Caine freely admits money was a key factor in his involvement. Freeman plays an ex-magician who has turned magical ‘secret buster.’ He is wealthy enough in this role to be able to turn down a 5 million dollar offers to abandon focusing on ‘The Horsemen’  in his next special. I wonder if anyone has told Val Valentino AKA the masked magician that there is this much money in magic de-bunking specials? Fox TV must be worried that he will expect a bonanza payday for his next tacky TV outing.

If you are a magic buff then there is little to rivet your attention to the action, if you like clever caper movies — well, it wasn’t that clever!  I guess Eisenberg and the youthful side of the cast must have some very solid fans out there as the movie has scared up a $61,374,000 gross since it’s May 31st release. Probably rather more cash than the Ricky Jay documentary ‘Deceptive Practice, The Mysteries and Mentors of Ricky Jay.’ Life isn’t fair sometimes– but there you go.

I suppose if you lower your expectations sufficiently then you might enjoy the movie if you are a magic buff. I personally am waiting with bated breath for the DVD release of the Ricky Jay documentary and hoping for lots of neat extras.

The ‘Nick Lewin Ultimate Microphone Holder’

•June 10, 2013 • 1 Comment

I recently sent a prototype of my Ultimate Microphone Holder to mega-pro and highly knowledgable magician Paul Green in Los Angeles. I will let his words speak for themselves about the item,    

Everyone that is a pro (or wants to look like a pro) knows that it is the small details that make all the difference.  If you use a hand-held microphone, you know the problems of keeping the “mike” in or on the stand.  This limits your movement onstage and sometimes blocks the view for your audience.

 I have seen many solutions from loops of rope to bent wire coat hangers.  While they work, they also look quite unprofessional.  NIck Lewin, of Lewin Enterprises, has given you the opportunity to solve this problem.  As many of you know, Nick is a working magician and has appeared all over the world.  His experience, on the road, has led him  to develop “The Ultimate Microphone Holder”.
 
The holder is simple in its manufacture and it solves the problems mentioned above beautifully.  It comes in either black or white (to match your costume/tuxedo/suit).  It is easy to use, lightweight, compact, and fully adjustable.
 
It takes a pro to come up with a simple and elegant solution.  Nick Lewin is that pro!  You can’t go wrong with “The Ultimate Microphone Holder”.
Paul Green
Lecturer of the Year, Close-Up Magician of the Year, 
and multiple nominee for Parlor Magician of the Year from the Academy of Magical Arts at the famous Magic Castle.

                                                                                                      

Where I’m going and what I’m doing….

•June 7, 2013 • 2 Comments

Nick LewinI decided to share a few items about my future goals this week. Generally speaking I try to minimalize my self-promotion but I’m going to take this opportunity to tell you a little bit about the exciting things that are happening in my life. I am happily entering a semi-retirement and somehow seem just as busy as ever, just doing different things! Here is what is happening….

Just over a year ago I set up a company (Lewin Enterprises) to market a line of magical products. Like most other performers who are starting to slow down their performance schedule, I decided to market some of the knowledge and routines that have served me well over the last 40 years. If a fully-fledged Pro can’t speed up your learning curve— who can?

I had some definite ideas about how I thought this business should be conducted. I was determined only to market routines that were tried and tested in the red-hot glow of actual performance. No pipe dreams or half thought out ideas. I wanted the items I sold to be practical and commercial and everything manufactured and released in the highest quality manner possible.

In the past 12 months I have released two books, a DVD, lecture notes and one trick. I am delighted to say that with NO advertising and very little promotion, I am about 3 years ahead of where I thought I would be. Not only have sales been great but everyone who has purchased these items seem to have been very pleased with them.  Now I am going to take it several steps further.

I currently have 24 items ready to go into production and an ambitious schedule to release 13 of these items in the next 12 months. During this summer I will be unveiling three new items; a genuinely show stopping mind reading routine ‘Mental Trilogy,’ and a great close-up routine that re-sets itself for roving magicians called ‘Ultimate Card In Envelope’ kick of the list. I am also extremely excited to say I am releasing one of the most practical items you can imagine ‘The Ultimate Microphone Holder.’ If you perform in public then you need this item.

Following the arrival of these three items I will be releasing DVD’s of my handling for the ‘Ultimate Slow Motion Newspaper Tear,’ and the ‘Ultimate Half Gypsy NickThread.’ A strong Cards Across routine and killer color change silk prop/handling will follow.  By the end of the year I will have released my signature ‘Ultimate Borrowed Bill Routine,’ which has more surprises and twists than you can imagine.  These are all tried and tested routines that have been a huge part of my highly successful show.

In order to keep this schedule going and the quality of the props as high as my personal goals require, Susan (Mrs. Nick) and I are delighted to welcome a new team member to work with us. His name is Rolando Medina and he is a master craftsman and manufacturer. Along with our dear friend and designer Steve Mitchell, this will be the core of our company. It is a great group of people I am proud and excited to be working with.

I invite you, my readers, to join us on this new journey. I pledge to keep very high standards and try and be a real credit to some of the magic suppliers/teachers that have helped inspire me to make this decision. Magic has been very good to me and I have earned a great living since my teenage years and I believe I will be able to add significantly to the repertoire of magicians.

You can keep track of new releases via my website www.nicklewin.com and my blog www.remarkablemagic.com . You may also feel free to contact me directly at nicklewin1@mac.com

Read about Mark and Nani Wilson in the new Vanish magazine!

•June 7, 2013 • Leave a Comment

Mark WilsonI am going to use this blog post to direct you to an article recently wrote about Mark and Nani Wilson for ‘Vanish’ magazine. It is actually the first of two articles that cover the incredible career of this legendary magical duo, In case you are not familiar with ‘Vanish’ it is a really great, and totally free, downloadable magic magazine published by Paul Romhany and edited by Paul and Chipper Lowell. It is a really great resource for any magician with access to a computer. I write a column every issue and also the occasional feature articles such as these ones on the Wilsons. The magazine is published on a bi-monthly basis and is also available in a tablet format. If you want to check it out and download issues go to our website www.vanishmagazine.com I think you will enjoy it a great deal.

I got to spend a delightful time interviewing Mark and Nani in their treasure trove of a warehouse/office in Valencia, Ca. It was fascinating to follow the seven decades of Mark’s career. This is the man who almost singlehandedly created television magic in America. I learned a great deal about many aspects of our industry during the interviews and hope I managed to pass along some of this information within my story. There are many twists and turns in Mark’s magical journey and I think it will be of interest to magicians world wide. Mark is also writing a highly personal series about his life on his website www.markwilsonmagic.com and you might want to check them out.

The articles are illustrated with some very cool photos taken by Chipper that not only cover Mark’s career but also give you a peak inside their amazing magical  facility. I have used a couple of the photos, that I took while visiting it, in order to illustrate my blog post. I am now returning to the International headquarters of Nick Lewin Enterprises (OK my laptop!) to work on my next feature length articleabout David Regal. I am a huge fan of Mr. Regal and am excited to be able to write a story about this magical gem. I do love my life!

mc

al

Gerry Bednob at the ‘Laugh Factory’ and memories of the ‘LA Cabaret.’

•June 6, 2013 • Leave a Comment

Gerry Bednob at the Laugh FactoryThe week of June 10th-16th the world famous ‘Laugh Factory’ at the Tropicana Hotel and Casino, Las Vegas has a headliner that I can highly recommend Gerry Bednob. With two shows a night at 8:30 and 10:30– be there or be square! You can reach their box office at 702 739 2411 or troplv.com Las Vegas residents can get ‘Two for One’ tickets, and share the laughter with someone they know!

Gerry Once upon a time……..when I was l was living in the San Fernando Valley in Los Angeles, I joined a very exclusive and fun club—-regular performers at the LA Cabaret. If you didn’t want to drive over the hill to the ‘Comedy Store’ ‘Laugh Factory’ or ‘Improv.’ then you could zip over to Encino and be part of the line-up at the ‘Cabaret.’ It had a nice stage, good audiences and a fabulous bunch of regular performers. The shows were fun but hanging out in the greenroom was a blast all it’s own.

The ‘Cabaret’ was booked by one of my favorite performers Jeff Wayne, a brilliant and edgy comic and somebody who a quarter of a century later has remained a really close  personal friend– if you have never seen Jeff live then you must catch him next time he plays here in Sin City. One of my other favorite performers was  Gerry Bednob who worked as ‘The Turban Cowboy,’ garnering many laughs from his Indian heritage. Gerry’s career received a giant boost in 2005 when he was featured in Judd Apatow’s breakout movie ‘The 40 Year Old Virgin.’ Gerry played an angry and irascible employee working side by side with Steve Carell and Paul Rudd in the Smart Tech store.

When I first saw ’40 Year Old Virgin’ it took away back instantly to those happy times in the ‘LA Cabaret.’ One of the other regular’s at the club was a young stand-Jeff-Wayneup comedian called Judd Apatow, who was honing his performing skills before his transition to becoming one of the most influential, successful and powerful writer/director/producers of this era. I thought Judd’s recent movie ‘This is 40’ was one of the smartest and most enjoyable cinema treats in the last few years– it made me laugh a lot and occasionally wince at how close to the bone it’s comedy cut. One of Apatow’s early television triumphs was his involvement as producer in Gary Shandling’s trailblazing HBO series ‘The Larry Sanders Show.’ You have seen this show I hope, if not run to Netflix and block out a few solid evenings!

Other alumni from the ‘LA Cabaret’ (amongst other clubs) were the late great Robert Schimmel, Jenny Jones, Sam Kinison, Skip Stephenson, Hugh Fink and a host of others. The bills were varied and well planned by Jeff Wayne, and he wasn’t afraid to throw in a few variety comedy performers like myself. You had to be pretty darn funny to work with stand-up comedians such as were featured on a nightly basis. I think Jeff warmed to me the night when I was being heckled by a rather elderly and very drunken lady in the audience. Eventually I tired of her interruptions, I put on my most icy English manner and peering out into the audience and addressing her directly, invited her to; “Act your age–DIE.” Not very nice looking back, however it shut her up– and made a lifelong friend out of Mr. Wayne.

So, where was I before I started reminiscing about those carefree comedy club days,– that’s right, I was recommending you catch Gerry Bednob at the ‘Laugh Factory’ next week in Vegas. I will keep you updated on when you can catch Jeff ‘Big Daddy’ Wayne during his next Las Vegas booking. In these trying times what could be finer than to spend a couple of nights laughing yourself into a funnier and better place.