“My name is Lewin. Nick Lewin. ”

•September 15, 2016 • 4 Comments


The best part of being a magician is that a great deal of the time I not only feel like a secret agent but I live like one.

I sat across the green felt covered desk, bathed in the light from a single brass lamp. I looked into the gray eyes of the man sitting there as he finished filing his pipe from a leather pouch on the desk. I felt a swell of affection for this man who had sent me all over the world on adventures that had taken me into moments of great joy and even greater danger.

He looked up from his pipe filling activities and smiled a smile that never quite reached his eyes. “Well.” He said, in a mild voice; “That’s the job. If you want to take it you will need to be in Jamaica by Friday.” I returned his smile and said; “I’ll be there, what do I need to know?”

I suddenly abandoned my well-worn fantasy and reluctantly acknowledged that I wasn’t James Bond receiving a mission from M that would save the world. It was just me, Nick, on the phone with my agent Barry accepting another gig on a cruise ship. No saving the world, just two 45-minute shows. Darn.

Let me explain. Unlike many magicians I didn’t become a magician to become another Harry Houdini. It wasn’t like that for me at all. When I was eleven years old I went to the local cinema and caught ‘Dr. No’ the first James Bond. It changed my life. After seeing the movie, I found most of Ian Fleming’s 007 novels in my brother’s bookshelf and read them with the same intensity that Ricky Jay must have studied ‘A magician at the card table.’

I loved the gadgets and elegant tuxedos that were such a large part of Mr. Bond’s world. I craved those exotic locations scattered007d across the globe that Bond visited with a nonchalance that I began to practice on a daily basis. Nonchalance is hard to carry off at such an early age and my school friends just thought I was a little crazy—hey, I also performed elaborate card tricks. That is an even surer sign of craziness than talking to yourself.

When the second Bond movie ‘From Russia with Love’ was released I was sitting in the cinema for the very first showing. For me the most exciting part of the movie wasn’t the action scenes or the fighting. It was the incredible briefcase that Q had created for Bond. The attaché case was rigged to the hilt with tear gas canisters, hidden gold coins, special locks and best of all a secret knife that popped out from the side of the case. I lusted after that case with all my heart.

After returning from the cinema, I went up in the attic and retrieved an old discarded briefcase that had previously accompanied my father to his office in the City. Since I didn’t have a folding rifle or bug-detecting equipment I decided to put the magic props from my fledgling magic show inside the case. They looked pretty darn good in there.

Forty-five years later I am still carrying the latest version of that prototype case with me as I jet around the world. The case is now filled with very cool magic props and every amazing electronic item that has an Apple on it. James Bond would have killed for an iPhone in those Fleming books from the fifties. Even Q wouldn’t have believed what it could do.

img_2897My case is heavily gimmicked and contains 34 tricks inside it, as well as the electronics and it still passes as hand baggage. This case goes onstage with me every single show and even houses a concealed butterfly knife with which I slice a lemon in half on a twice nightly basis. There are no golden coins hidden in the lining of the case but there is a secret pocket that contains several $100 bills. Just in case.

I left school and became a full time magician and began the endless traveling that has so far characterized my life. I have managed to visit all those exotic backdrops featured in the Bond books and films. In fact I’m pretty sure I’ve been to scads of places that 007 never even knew existed. I am now truly as at home in Jamaica and Russia as I am at home in Las Vegas— maybe more so.

While I do sincerely love magic and the business of its performance, it is the vision of elegant espionage that has really fueled img_1013my life and lifestyles. Like all guiding influences, the memories that ignited my passion have faded over the years. I have finally realized, but steadfastly refuse to acknowledge, that I will never be James Bond. Just as other magicians have realized that they will never be Houdini or Dai Vernon. Life is tough.

The good news is that I do have a black leather case filled with cool gimmicks and gadgets that accompanies me as I travel. However I have reluctantly realized that I will probably never be asked to smuggle microfilm across enemy lines, concealed inside my ‘Devils Hank.’ I have never lost the desire to be asked to do so though. Without a dream you become an act instead of an artiste.

So that’s my story: if you bump into me in Rome or Venice walk up to me and introduce yourself. I will look you directly in the eyes and say; “My name is Lewin. Nick Lewin.”


The photo above, of me standing in front of the Cecil Hotel in Alexandria, Egypt has special significance. The Cecil was the official, unofficial  home of the British Secret Service during the Second World War. My Grandfather spent time there….


You’ve either got or you haven’t got style…. (but is it your own?)

•September 7, 2016 • 1 Comment

bc5d4273_stdBefore we talk magic, let’s look at the definition of the word style that comes up on my Mac after I double click the word and then three finger click it. Ah, I do love these new gestures that are possible with the Mac trackpad!

Here is what arrived,

1 a manner of doing something:

2 a distinctive appearance, typically determined by the principles according to which something is designed:

3 elegance and sophistication:

4 a rodlike object or part, in particular:

I think we can rule out the fourth definition, but let’s look more closely at the first three. How can we apply them to magic? ‘A manner of doing something,’ well, to me this implies a consistency of approach that unifies all the separate ingredients that blend together and create a show. It applies to what you do in the show, what you say in the show and how you execute these elements.

The first step to becoming an elegant and sophisticated (see definition three) performer is AcornWorkflow-2015.01.08 13.12.40to follow that great aphorism ‘Know Thyself‘ which is most often attributed to Socrates. You can not develop any form of individual style without looking very carefully at who you are–in particular your strengths and weaknesses.

While it is possible to construct a totally separate stage persona from your real life attributes, it isn’t easy. If you are aren’t a smooth, elegant, good looking charmer, who moves well–then a silent manipulative act probably isn’t your thing. Look at yourself physically and make sure that you are actually seeing yourself as an audience member will see you. Better leave that to the Lance Burton’s James Dimmare’s and Jason Andrews of the world.

If you aren’t a skilled talker, with a ready wit and sense of humor then chances are you shouldn’t be telling jokes in your show. You can’t just take a bunch of stock lines and string them together and have any hope of achieving style. Maybe you should be looking at the kind of magic where the situation is funny and it is this that makes the audience laugh. Then little by little you can add a line or two that is funny because it came from within you and is truly your style.

NickLewin-DW-0065The sad truth is that you can’t borrow style, you can’t buy style, you can’t steal style. If it belongs to someone else then it will never really be your style. What you CAN do is to learn about style by watching how other people have developed and applied their own style.

In magic there are so many routines available in books, DVDs etc. that a magician can begin to believe that everything out there is available and it is acceptable to borrow, use or steal anything. You don’t own a trick by buying it, reading it or outright purloining it. Style is something that has to come from a master game plan that you have developed. Otherwise it’s monkey see-monkey do.

I am a huge fan of Jeff McBride and Eugene Burger, I am also a big fan of the style which Jeff has brought to teaching magic to his lucky Mystery School pupils. It worries me more than a tad when I see how many of his students seem to want to become McBrides. They dress like him, perform like him and although I haven’t any inside knowledge of Jeff’s take on performing, I find it hard to believe that this is any part of his philosophy. I suspect/hope that it is a passing phase for these individuals however and sanity will follow!

On a very practical level (my favorite one) to fine tune your own style you can examine Union Jack Saluteyour act and pick it apart with a fine tooth comb and eliminate items that may work on some level but are counter intuitive to making you the performer you really want to be. First develop the vision of who you want to be–make it based on who you are, and then chip away everything in your act that stops this happening.

I often hear magicians excuse the use of a hack trick or a hack line by saying, “Well, it works,‘ or “It get’s a laugh.‘ However, ask yourself what it says about you that you haven’t found a better way to express your personal style and personality. The failure to do this is one of the reasons there are so many magicians and so few artistes and stars in the magic world.

You are selling yourself short if you just want to be a haphazard amalgamation of everyone else. Learn from others how to develop your own style, when you have learned everything you can from them–move on to someone else and see what you can learn from their approach. We all need teachers, role models and heroes, but at some point (to steal a key lesson from ‘A Course In Miracles,) “The time for learning is over.”

It is way tougher to learn to be yourself when performing than to execute the perfect second deal! A second deal is only perfect when you don’t realize it is happening–I guess that’s kinda‘ my theory on style. While not wanting to simplify it to the “You’ve either got or you haven’t got style………” from the song lyric, I guess what I’m saying is work like a maniac to become a person with your own style and then learn to forget about it so it doesn’t look phony.

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What a great honor, receiving the Robert-Houdin Award!

•August 22, 2016 • Leave a Comment

troph1brevI was recently proud, thrilled and delighted to be the 2016 recipient of The Robert-Houdin Award for my work as a performing magician. The award is presented annually by Stevens Magic and I am the third magician to be honored in this manner, the first recipients being Paul Romhany and Jeff McBride. It makes the award even sweeter being in the company of these two fine performers. Both Paul and Jeff are not only good friends but inspirations to me in many ways.

I am particularly proud to receive an award that bears the name of Robert-Houdin as he has been one of my greatest magical “heroes” from a very early age, when I first heard of this sophisticated and mysterious French Conjurer from whomHoudini stole his name! The great story of Robert-Houdin presenting his “Light/Heavy chest and quelling a native uprising in Algeria has long been a major part of my lecture for lay people.

Jean-Eugène Robert-Houdin (December 7, 1805 – June 13, 1871) has long been considered the MTE5NDg0MDU1MDAyNTE0OTU5father of modern magic and was largely responsible for bringing in the new style of magic. I would heartily recommend anyone unfamiliar with this master magician to read the Wikipedia biography about him https://en.wikipedia.org/wiki/Jean_Eugène_Robert-Houdin  His is an amazing story about when mechanical wizardry was most successfully blended with sleight of hand.

I performed a show for five years at the Maxim Hotel in Las Vegas and in a curious way it was something of a personal tribute to Robert-Houdin’s famous Parisienne show “Soirées Fantastiques.” The showroom that I appeared at in Las Vegas was a 200 seat room just like Robert-Houdin’s and allowed an intimate production of parlor effects in much the same manner. My show premiered on July 3rd 1995 exactly (to the day!) 150 years after Robert-Houdin’s show did.

I want to thank Joe and Mark Stevens and everyone else at Steven’s Magic for this great honor. It really meant a great deal to me on many levels.


The Professional Magicians Magic Convention.

•July 20, 2016 • Leave a Comment

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4467This specially designed convention is the first of a kind— designed especially for the full time pro-magician. It is going to be taking place next summer when corporate work is at a minimum and the cruise companies are trying to book primarily long dates at short money. We are not going to be announcing the exact date closer to the event, but also adapting the traditions of so many cruise dates and just giving you a few days notice to plan on joining in the fun. The convention will be held possibly in Miami, Belize, Jamaica, San Jose, Singapore or Barcelona.  When it comes to travel we have another innovative feature, since the performer is not being paid for the event and chooses to attend ALL airline tickets will have to be purchased using the attendees own frequent flyer miles. The hotel will have very expensive room service and be located at a minimum distance of a 80 dollar taxi ride from the airport.


*There will be absolutely NO lectures or contests of ANY kind. Guaranteed*234_Playing Cards Sculpture-2

*Anyone performing a card trick in public will be required to buy a round of drinks for the full convention*

*All functions will take place in the hotel coffee shop. Purchase of one cup of coffee (unlimited re-fills) will be required every four hours. Tipping is allowed but only in the currency of the last location you visited*

*The only magic dealers in attendance will be Staples, Office Max, Home Depot and The Dollar General Store*

*Unsubstantiated rumors and unkind stories about performers not in attendance are encouraged and a prize awarded to the least accurate or most untruthful*

*Nightly cocktail parties will be held in attendee’s rooms and all drinks served from their mini-bar. Liquor consumption however will be restricted to the mini-bottle containing clear alcohol so they may be replaced with water prior to departure from the hotel*


52cards*There will be a special award for the performer who travels with the lightest suitcase*

*There will be a spirited and heated panel discussion on the topic of “Bev Bergeron or Billy McComb–who invented it first?”

*Velcro or Duct Tape, which is the best?”

*Who has the oldest and least recognizable working photo—a featured debate*

*Any geeky young magician, that sneaks in who has posted a “how to” video of a marketed effect on YouTube, will be forced to perform the spike in Styrofoam cup trick at least 3 times — or until he seriously injures himself, which ever comes first. Small additional fee to attend.”*

*The only formal event will be the “Memorial Billy McComb Breakfast” which will take place at approximately 3.00 pm and consist of a scrambled egg and English muffin. (additional fee required.)

*“THE MEGYN KELLY APPRECIATION HOUR” for dedicated Road Warriors*



All attendees must be properly attired in old pants and a tee-shirt from a previous gig. No-one will be admitted who is dressed entirely in black, is wearing a fedora hat or ANY item of jewelry that has a question mark visible anywhere on it.

The registration fee will be due immediately after the winter season, when cash is tight. For full details visit our website adrydayinalaska.com




Political Correctness is not a momentary phase. Get used to it.

•June 29, 2016 • 11 Comments

BC5D4288I was recently reading a thread on a magic themed FaceBook page that was triggered by a complaint about a female audience member who complained about the use of the term “You guys…” when addressing an audience of men and women. I was more than a little shocked to hear her described as dumb. While this particular case is obviously a “tip of the iceberg” example, I am continually amazed at the myopic viewpoint the magic world tends to display in its inability to keep up with current trends. What are we—a bunch of ’50s Borscht Belt comedians caught in a Twilight Zone time warp?

The American scene has become VERY politically correct. My youngest daughter used to be incredibly apt to correct my errors in this area. She is now an English professor at UC Irvine and is amazed by the level of political correctness in her students. The world has changed and if you don’t want to be left behind, considered inappropriate, or just old–grasp this fact.AcornWorkflow-2015.01.08 13.12.40

If you don’t want to be considered old, rude, or maybe even irrelevant, then take careful note of some of these factors and perhaps re-think some of the phrases you use. Saying, “I have always said/done this,” is a pretty sad and sorry excuse for not evaluating the way you communicate. Think about how many words and phrases were used when you were younger that you would NEVER think of saying now! Jerry Seinfeld wrote a great article, well worth Googling, about this topic that is well worth reading at http://www.huffingtonpost.com/2015/06/08/jerry-seinfeld-college-politically-correct-racism-sexism_n_7534978.html and now he will no longer perform in colleges because of the level of political correctness now demanded by the audience. He, of course, has enough money and fame to walk away from ANY kind of work he doesn’t want to do. Do you? Just as well worth reading is a letter that was printed in response at http://www.huffingtonpost.com/anthony-berteaux/jerry-seinfeld-politcally-correct-college-student_b_7540878.html

Comedy magic has a well deserved reputation for being sexist and politically incorrect, we each need to take a long, hard look at what we are saying and doing. I recently did, and made a few changes that were painless and appropriate. I am very glad I did and it has improved my work considerably. I’m lucky enough to still be getting “A level” gigs at great money, I want to keep it that way. If you still feel $_1that being onstage and pretending to steal a woman’s bra, while she assists you in a routine, is so worth the cheap laugh it gets you—you may be seriously out of touch. There are plenty of other ways to get a replacement laugh that are more in line with contemporary thinking, “It gets a laugh…” is not a valid response, neither is “But I do it with a guy onstage….”

For every one person who complains about politically incorrect remarks in a show, there are many more in the audience who probably feel the same way. I do a magical version of the old vaudevillian “Doctor Sketch” in my show that I have left untouched in it’s full politically incorrect glory, as a tip of the hat to a roots element in our work—however, it is a very obvious choice/decision that is nothing to do with any “ostrich head in the sand” form of failing to observe current trends.

Do you want a large (and pretty darn sophisticated) segment of your audience to think you are out of touch or offensive? Just my personal opinion, but I am a pretty savvy entertainer who has made a good living for a lot of years and plans to continue doing so until I decide to stop. Magic is pretty damn dated at best — just look at how many props look like they were designed in the Victorian era. A conscious decision to keep up with the times politically is a smart move that loses you nothing but gains a lot commercially.


The correct use of baggies! (just eat the damn sandwich…..)

•June 20, 2016 • Leave a Comment

I remember vividly the time that I saw Billy McComb at his most animated and excited; he had just been to the supermarket and bought a box full of clear plastic, zip lock, baggies. He was practically shaking with delight as he showed them to me.It seemed, even for Billy, rather eccentric to get this excited over little clear sandwich containers, but as usual when I gotthe actual drift of his thinking I started to share his enthusiasm. He wasn’t planning on taking along a ham and cheese sandwich to his next gig but had a loftier vision. Before long Billy had all the items from his vast working repertoire contained in different sized, heavy weight baggies.Each trick


was carefully packed inside its own baggie, with every item needed for the performance contained within it.On the outside of each bag was written in felt-tip pen the name of the trick inside the bag.The main advantage of this method was of course that you didn’t arrive at your gig and find that a reel, pen, thumb tip or handkerchief that was vital to the effect was missing. In fact better still you could survey the contents of each bag without even opening it and double check that all the replaceable items, for example; thread, flashpaper, envelopes etc. had in fact been replaced.

It was such a simple and effective idea that only a genius like McComb could have developed it. Of course, being Billy, he did get a Nick,Dad,Billy_2little carried away and he extended the idea to coffee shop items. He almost always had a baggie full of miniature containers of sugar, creamer, tea bags etc. in his pocket somewhere.

On one of my very first meetings with Billy at a very youthful age, he showed me the old trick where you appear to stick a coin on your forehead and when you remove it and hand it to the spectator to duplicate your action, there is a blood red nail sticking out the back. It wasn’t the trick that Billy seemed to enjoy so much as the fact that he had fashioned a cork with a hole in it that fitted the gimmicked half crown and made it a considerably easier and safer prop to carry around in your pocket. He gave me the faked coin in its cork as a present. I didn’t realize it at the time but this was to be one of my first lessons in the art and science of packing and handling props.

I remember being highly impressed when I observed how legendary magician Piet Paulo managed to keep his working shoes ‘unscuffed’ and polished on the road by keeping theminside old socks. Simple and easy and something I do every time I pack my suitcase. The shoes packed out with black socks and delicate props from the show.

I have taken these two ideas and combined them into my current system, which involves keeping all my props inside Crown Royale bags. Of course everything looks like everything else and it isn’t half as practical as the baggie system—-however I do love those purple bags!

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Young Sparky meets Mr and Mrs Electric.

•June 14, 2016 • Leave a Comment


There is a tiny group of people in the magic world that just make you feel better just by knowing them. Right at the top of this select list of truly special people were Marvyn and Carol Roy. I really don’t believe you could find two nicer people and better ambassadors for magic than Mr. & Mrs. Electric.

My earliest memories of seeing this dynamic duo was watching them on the family television set when I was a kid growing up in England. As a budding magician I remember watching in amazement at that seemingly never-ending string of lit bulbs emerged from Marvyn’s mouth. It was one of the coolest pieces of magic I had ever seen.

Years later my very first club date in America was at the Elks club in Long Beach, California. This particular booking coup was a stroke of good luck that was going to add a whole eighty bucks to my worldly wealth. I was very excited and ready to take the ‘Elks’ by storm.

The day of the show arrived and after a one-hour drive to the city of Long Beach I made myself known to the powers that be when I arrived at the club. I was directed backstage to meet up with the other acts on that evening’s bill.

It is astounding how often the bookers for these kinds of organization make irrational decisions as they go about their duties. Thisroybio3 particular booking, however, was in a class of it’s own. The entertainment committee had determined that four acts would be an appropriate line-up to entertain the members for this particular event. The booker had then inexplicably decided that the perfect selection for the occasion would be two magic acts and two jugglers.

Furthermore the committee had determined that the ideal running order would be to have the two magic acts perform in the first half of the show and after a brief break, to conclude the event with the two jugglers. Maybe they were drinking too much and instead of seeing double they were thinking double. Of course, there is no payment for the job of booking entertainment at a service club and perhaps it is bookings like this that are the reason.

Upon arriving in the dressing room I discovered that my fellow magic act to be featured on the bill was none other than the iconic Mr. Electric and Carol. I was very impressed and also somewhat astounded when Marvyn (for that is indeed Mr. Electric’s first name) suggested that he opened the bill and leave me to close the first half. I giddily felt my stock in the magic world must be on the rise. Hmmmmmm.

MarvynRoy2To cut a painful story short, Marvyn and Carol opened the show with a dynamic set that featured brilliantly constructed and highly customized versions of every single trick I was about to perform. These routines were all carefully adapted to the electrical theme of their show. My heart sank into my boots as I watched them.

Marvyn and Carol destroyed the audience with their performance. I followed and while I didn’t die on stage I was certainly quite sick! I did the floating ball; Marvyn had floated a lit light bulb. I cut and restored a rope while he cut and restored an electric cord; attached to a line of light bulbs. I performed my ‘electric chair’ and Marvyn did the Electric Chair! It was truly a nightmare for a young magician who lacked the ability to substitute anything much in his act.

After the show we went to grab a late night meal at a local ‘Bob’s Big Boy.’ Nothing in my magical experience had prepared me for the pure adrenalin rush of a post-show Marvyn Roy. His enthusiasm and expertise were all focused on helping this newcomer to see a vision and future for his show. It was a delightful avalanche of advice and magical wisdom.

Marvyn was very kind and he especially praised my version of the classic Chinese Linking Rings. Possibly this was because it was the only trick from the Electric’s show that I hadn’t duplicated. In fact, in what I later discovered was pure Marvyn he planned an entire act for me based on the theme of linking things together.

The first thing that must be done was to change my name to Link Lewin. “What you should do,” said Marvyn, warming to his jackie beat (330)theme, is purchase the Himber Ring Trick. This amazing piece of magic would allow me to link genuine finger rings borrowed from the digits of audience members.

The very next day I drove into Hollywood to Joe Berg’s magic store and made a fifty dollars deposit on the prop needed to accomplish this very trick. Thank you Marvyn, it was the best investment I have ever made in magic. Every magician needs one special trick to make his own and thanks to Mr. Electric I had found mine.

I never did change my first name to Link, but due to my encounter with this gracious and friendly master magician I had taken a huge step forward in my career as a magician. I also learned something else that has stood me in good stead over the years. I never again felt flattered at being asked to close a variety bill and like any true pro I would just say; “You know, it might just be better for the show if I open.”

I recently read the wonderful memoir that Marvyn penned called ‘Mr. Electric: Unplugged.’ I can’t say enough about what an inspiring and enjoyable book this is. Not many magic books grab your interest and hold your attention like this one.

This book is so good that you begin reading at a feverish pace, until you realize you are half way through it and then you slow down so as to treasure every story. Thank you Mike Caveney for publishing this gem. Sadly Carol is no longer with us but Marvyn is still very much part of our magic community affecting youngsters with his generosity and knowledge.



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