Kung Fooled; or hanging out with David Carradine (Part One)

•May 26, 2010 • Leave a Comment

Following the lurid and sad aftermath of the death of David Carradine, I wanted to add this extended and adapted column about my truly memorable experience of working with this amazing man. I will have to split it into two parts due to its length. RIP David, you are truly one of the most Remarkable Magicians it has been my pleasure to meet.

I wish I had enjoyed that one extra vodka with you while I had the chance.

So, here I am at 1:30 am sitting in the bar at the Intercontinental Hotel in Toronto. In one hand I am holding a deck of cards while my right hand is stretched out perpendicular to my body. My right index finger is inside the mouth of a grizzled, gray-haired man. Every time I try to remove, it I feel two rows of very sharp teeth bite into the flesh at the base of my finger. I have been stranded in this position for nearly thirty minutes. Maybe I had better start this story at the beginning!

Over the years I have been hired as a magical advisor on dozens of projects. I was the man who turned Kenny Rogers into “The Gambler” for his TV movie. In three weeks I made Sid Caesar look like he had been performing magic for a lifetime! I got a call from my friend Michael Sloan who said that he wanted me to work with him on an episode of “Kung Fu: The Legend Continues.” Michael was the executive producer/writer of the series and one of the few stand-up people I have met in the television industry. We had worked on projects before and I was delighted to get the call. A month later I flew from Los Angeles to Toronto and the madness began.

One of the regulars on the show was Robert Lansing who, aside from being a great actor, was a regular at the Magic Castle in its early days and a particular friend of Dai Vernon. Lansing had cancer and knowing his time was limited Michael had written a special episode that would allow Robert to fulfill a lifelong dream. Bob wanted to perform Vernon’s “Twisting The Aces” routine on camera. One of my jobs was to work with him and build up his confidence a little. I did this in my usual manner; which was to be half magician and half psychologist. Bob actually did the trick perfectly but felt very uneasy, as his hands seemed too dry for his comfort. I eventually had a plan to ease this problem; I had a small jar of Burt’s Bees Honey Lip Balm in my case and I gave it to Bob and with a total lack of honesty informed him that it was the very same preparation that Vernon used on his hands before working with playing cards. Lansing was very impressed and immediately rubbed a small amount onto his hands.

Moments later he performed a perfect version of “Twisting” and there was no more talk of his hands being dry!

Working with Bob Lansing was a delight and a privilege; however there was a trial by fire waiting for me that I will never forget if I live to be normal. This was getting to work with the wonderfully eccentric David Carradine. This brings me back to my strange position at the bar in the Hotel Intercontinental. The early part of the evening had consisted of a leisurely dinner with Lansing and Sloan listening to Bob relate stories about his friend and magical mentor Dai Vernon.

We arrived back at the hotel and decided to have one last glass of chardonnay at the bar. That was when Carradine arrived! He joined us at our booth and said, “Who is this?” while staring at me with a fairly active dislike. Sloan introduced me and explained that I was to be a guest star in the episode and also magical advisor. Carradine’s eyes had never left my face but his look of active dislike turned into something even stronger. I never saw a look like that again until his movie “Kill Bill” was released years later. Unknown to me, one of Carradine’s best friends was Patrick Culliton the magician/actor and Houdini expert.

David then explained that if there was going to be a magical advisor on the show it was going to be his friend Pat and not Sloan’s friend Nick. There followed a brief but intense discussion between the two men about the respective merits of Culliton and myself. Since the episode began filming the next morning the outcome was never in doubt but it was certainly a little unnerving as far as I was concerned.

During a brief lull in the debate I took the opportunity to smile at Carradine and say, “I’m really looking forward to working with you, Mr. Carradine.” David looked at me without a hint of a smile and said, “We’ll see about that!” It wasn’t a great start, all things considered, but it got worse. Michael Sloan then said, “Nick, do a card trick for David, show him your chops.” Now I have one card trick that I always perform when I need to impress people. During this trick the cards do everything but walk up and down the table whistling the “Battle Hymn of the Republic.” I did my trick and then casually left the cards on the table. Carradine grabbed the cards and growled, “That’s a trick deck!”

He searched through the cards and discovered to his surprise that it was indeed a regular deck of cards. I looked him in the eyes and said, “The cards are the real thing and so am I. That’s why I’m here, I’m the best.”  I had already decided that the only way to deal with Carradine was to meet him toe to toe without ever backing up.

David looked at me and said that I seemed to know my stuff and that maybe he would even let me do a couple of hand shots for him. He removed a large jade ring from his finger and said he wanted to see if it fitted. It did fit, however it was rather too snug and I had trouble removing it from my finger. “I’ll do it.” Said Carradine raising my hand to his face and then my finger disappeared into his mouth. I don’t know if you have ever sat in a hotel bar with your finger stuck in a celebrity’s mouth but it is rather strange to say the least. Every time I started to remove my finger his teeth clamped back into it. At this point I was wishing to God that it were Pat Culliton sitting there instead of me. Finally he released my finger and said, “I don’t know who you are, but I will. I am going to run a make on you and find out every last thing there is to know about you.” I stared back into his eyes and said, “Start with my dad, he was in the navy.” We then all went our separate ways and I returned to my suite and fell asleep. I was woken from my sleep at 4:00am by the ringing of the bedside phone. I answered it and heard a gruff voice on the other end say, “OK son of a navy man, I will find out everything!” then the phone went dead.

To be continued………….

Come and say hi in Boston or at my first gig at the Magic Castle in 25 Years!

•May 9, 2010 • Leave a Comment

This is my pre-show video. It is packed with footage of me, my friends and my heroes plus an overview of some of the TV work I have done over the years.

One question that I seem to be constantly asked in the magic community is, “We really enjoy your writing but where can we see you work?” Well, it is a very good question because over the last 25 years my performances have been very scare for magicians to catch. I haven’t played the Magic Castle in 25 years, I have only performed at 6 magic conventions since 1974 and my lectures have been few and far between–mostly for very small and select groups scattered around the globe.

I am finally (not retiring) but slowing down from my private, cruise and corporate dates. I am looking forward to becoming more involved in the world of magic. It is a step that I have been looking forward to for many years and in all truth began with my weekly contribution to Magic New Zealand over four years ago. During 2011 I will be traveling the world, but now performing my lecture and magical conventions.

This would of course be financial ruin were I not to be proceeding with releasing a series of truly professional routines in the form of books, DVDs and career development coaching. As I plan to be rather selective in my approach to ‘uploading’ my magical knowledge,  I’m sure I will be bridging the gap by continuing some of my more instantly profitable gigs.

I would like to announce two upcoming engagements in the magic world which will give me a chance to catch up with my old friends as well as some of my new friends who know me only from my writing. I think you will enjoy seeing the place from where I am talking about comedy magic.

I am delighted to say, that I have finally managed to squeeze into my schedule a booking at the ‘Mystery Lounge’ in Boston on tuesday, May 25th. I have many friends in the area who remember me from my appearances in the 80s at the ‘Comedy Connection’ and ‘Catch a Rising Star.’ I made a whole new group of friends at Hank Lee’s ‘Magic Concave,’ please come by and say hi! I’m looking forward to meeting everyone.

I will also be appearing for a week at the Magic Castle in Hollywood from August 23rd-29th.

The reason for this ‘Never say Never,’ occasion is that it is a one week tribute to my hero, mentor and friend Billy McComb; I will also be lecturing on sunday, August 29th at the Castle. Again I  invite  friends old and new, to be there as I take part in this very special tribute to a very special man!

I wouldn’t have want to have missed either of these dates for the world! Come by and say “Hi.” If you want details then contact me at nicklewin@me.com.

Happy Mothers day to all those mothers out there in magic!


‘The Way I See It.’ The new bestseller from Melissa Anderson.

•May 4, 2010 • Leave a Comment

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I arrived back in Northern America, turned on the ‘Today Show,’ and was delighted to see my friend Melissa Anderson promoting her new book ‘The way I see it.’ I can’t wait to read it!

Most of you will remember Melissa from her role in the classic TV series ‘Little House on The Prairie,’ where she played the pivotal role of Mary Ingalls who went bind in season four and set new television rating levels in the two part episode, for which she was Emmy nominated. In those days she was Melissa Sue Anderson.

Others will remember Melissa for her role as the daughter of ‘The Equalizer’ on that cult favorite series. She has made numerous appearances on TV movies of the week and starred in a bunch of Movies. She is one of my favorite actresses’ and a wonderful person; plus to be honest (I’m pretty sure my wife never reads my blog!) an absolute ‘Uber-Babe.’

The book is about her take on the years she spent in the ‘Little House’ and should be great reading. Melissa is doing a massive promotional tour to support the release of the book. I was lucky enough to interview Melissa on my television series ‘The Entertainment Files’ and I have posted it here for your enjoyment.

Multi-talented and wonderfully articulate I suggest you order your copy of the book from Amazon if you can’t get to a book signing. It is also a perfect Mothers Day gift for this year! It is sure to be very appreciated and bring some joy to a mom who has a soft spot for this very special series.

I am excited to follow this new direction in what is already a very distinguished career.

Check out her official Facebook Fan Page check it out at Melissa Sue Anderson Fan Website  and check out her book signing tour itinary.

Magic by Gosh!

•May 3, 2010 • 2 Comments

Albert Goshman re-invents the dinner show.

In a community crowded with ‘one of a kind’ individuals nobody has ever come close to replacing Albert Goshman. I first met Goshman at the Magic Castle outside the Close-up Gallery. It was Friday lunchtime and I had just finished performing my show. Proudly featured in my performance was Ken Brooke’s sponge ball routine. I was using the set of ‘Goshman Sponges’ that I had purchased a few years before in London.

After the show Albert stopped me as I passed by and said, “Those sponge balls aren’t clean enough to make someone hold. Buy some new ones!”

In England genuine Goshman sponge balls were not only expensive but also hard to find. The tendency was to use them as long as possible. The moment I thought about it I knew Goshman was right. I mention this story because it might just make me the only magician ever to be chided by Albert on the topic of personal appearance!

The most amazing thing about Goshman was the difference in how his magic looked and how he looked. The magic was neat, smart, organized and a joy to behold. Albert on the other hand consistently looked a mess! He always looked as rumpled as an unmade bed dressed in clothes that needed dry cleaning a week ago!  Albert really liked his food and he was a messy eater, it was easy to track his meals for the day by the trail of the stains on his clothing! When at the Castle performing in the dining room Albert was a frequent visitor back in the kitchen area where he ate a ‘progressive’ supper.

One evening Albert was hired to entertain a group of VIP’s in the Houdini room. The event planner wanted to impress her guests and let it be known that she wanted Goshman to look his very best for the group. In fact she paid a premium to ensure that this would be the case. Albert’s wife packaged him of the Castle in a spotless tuxedo and even a pair of gloves to keep his hands clean. He looked as elegant and sophisticated as anyone could remember seeing him. The event planner, aware of Albert’s natural tendencies, even came up with a plan to keep him looking that good. The Maitre ‘D and kitchen staff had all been visited and cash had changed hands to ensure that no food would be given to Albert prior to showtime. Albert was not happy about this.

When it came time for his show, an immaculate and stain-free Albert Goshman, sat down in the Houdini room behind a freshly polished saltshaker and as always wowed the crowd with his brilliant close-up show. The event planner sat in the back of the room delighted that her plan had worked so well. However, just prior to Albert’s rising cards routine, he made direct eye contact with the party planner and proceeded to pull a large beef rib from his inside jacket pocket! Never breaking eye contact with the astounded party planner he ate a few bites of the rib and then casually replaced it in his pocket before proceeding to finish his show. Game, Set and Match to Goshman!

A Chance of a lifetime for a select few,

•April 29, 2010 • Leave a Comment

Well, I have spent a thrilling few weeks traveling around in Europe dodging volcanic ash. I am sorry to have missed a week (did anyone notice?) but things were really chaotic.

When I return to Las Vegas I am putting into effect the next stage of my career. I have traveled enough and done enough shows for this lifetime! I’ve been very lucky to enjoy the blessing of two of the greatest mentors in comedy magic: Ken Brooke and Billy McComb.

I have also worked full time in magic for 40 years and it is becoming time to think about retiring somewhat from performing and expand upon my writing, teaching and videos. It is time to upload my knowledge, however, I plan to do so in a rather unusual and unique manner.

During my 40 years I have performed for Presidents and Royalty,opened for major stars, made over 60 television appearances, had my own on-man show in Las Vegas for five years (the very first,) had a TV and radio series, won awards, headlined in the VERY best comedy clubs for 16 years, worked the classiest cruise ships afloat, made a ton of money in corporate work and made a wonderful living while still finding time to raise a great family.

I have been very lucky, however, if you think it is all luck then you are asleep and dreaming! Billy McComb referred to me as “Nick Lewin my mate, who makes the big bucks!” I am now going to be releasing the information that has made this a reality. I am going to be selective though and I do not want to dilute this information by tossing it out to freely.

I am beginning with a series of seminars on the ‘Multiplying Martinis,’The ‘Himber Linking Finger Rings’ and the ‘Elmsley Newspaper Tear.’

These three tricks are at the heart of the act that has kept me working and making money for many years. All of them can be found somewhere in some form, but what I am offering is a hands on A-Z personal coaching. I will cover details that people who have written books on these tricks know nothing about. I can cut the learning curve of anyone wanting to make money and work as a comedy magician by a decade! We are talking more than tricks here.

This Spring I am giving a seminar in Las Vegas on the ‘Multiplying Martinis’ that will assure those attending an effect they can close shows with for the rest of their lives. Please contact me if you are really interested in what I am offering. As my favorite philosopher once said, “I have really good leather, if you want to make shoes.”

Some of my routines will only include TV performing rights for my early students. Other routines will be offered more freely to a larger market. I am going to accept a handful of students who want to learn

from my experience and use it to make a fine living. I am going to help them with act development and introducing them into work that I have been performing. I have always kept a low profile in the magic world because performing for magicians doesn’t pay the bills. Now I am ready to tip the real work.

I have been very impressed with Jeff McBride’s Mystery School. He has it right. I plan to work with smaller groups and customize their curriculum. Please do not be offended if I chose not to work with you,

I am much more interested in getting it right than in big numbers. It is not within everyone’s ability to be a professional comedy magician.

Comedy is not easy, but believe me “Funny is Money!”

Please contact me if you are interested in knowing more. My email is

Nicklewin1@mac.com or nicklewin@aol.com

And I will look forward to hearing from serious candidates for what I have to offer. It will be Work, but it will also be fun and you will have the ability to end up with a real act, not just a series of tricks. You will also learn how to market it and make it profitable.

If this is not something that is of interest to you personally please forward this column to someone who will benefit from itVery best wishes, Nick Lewin.

The next Evolution of Magical Performance.

•April 14, 2010 • 4 Comments

I have recently written enthusiastic reviews of several magical productions that focus on short, focused appeal to essentially non-magician audiences. I am speaking of Monday Night Magic and Magical Nights in New York. In Las Vegas we have the highly successful show ‘Steve Dacri: In your Face,’ and Jeff McBride’s monthly extravaganza ‘Wonderground.’ I am yet to visit Boston’s ‘Mystery Lounge’ but my daughters rave about it and I can’t wait to attend their Tuesday night show.

Living in Las Vegas it is impossible not to notice the notice the sudden drop in the status and number (and numbers!) of magic shows on and around the strip. It doesn’t take a genius to realize that the luster has vanished in magic shows quicker than a dove into Lance’s tail suit. Ah, I haven’t even mentioned the loss of Lance to the Vegas list of landmarks—because I suspect he will be back as quickly as he wants to. However, I also  figure the poor guy needs a break for a while.

We are left with Criss Angel, who is considered by most residents as an embarrassment, and has had Cirque pull out their dancers from the show. In all fairness I have heard from many people that the Cirque element of the show was the weakest in their never-ending empire. Let’s be honest how many more Russian circus acts, pretending to be French Canadian can there be? They must run out eventually!

There are plenty of small ‘Four Wall’ magic shows that appear and disappear faster than Scarlett can throw a left hook. However, it is a long, sadway from the heyday of magic in the Neon City. I am tempted to say that magic really went into a hospice situation the day they removed the ‘Siegfried & Roy’ sign from the center of the strip. It was replaced by a billboard for the late Danny Gans and seemed to signal the start of the new era. Nowadays the only non ‘Cirque de Same’ shows seem to be dominated by impressionists and hypnotists. I think it is a shame, but then I’m a magician.

Maybe we had better start thinking of some well executed single night magic shows aimed at the general public. The Magic Castle has always proven an exception to all assumed rules about magic, a lot of this has to do with the brilliant Tom Sawyer ‘whitewashing the wall’ approach that Milt brilliantly built into the very roots of his brainchild. There really is no other performance venue capable of a seven day a week market.

Now, while this may seem a rather negative view of the magical state of the union, I really don’t think it is. I remember in the late seventies when my wife Susan and I co-opted the ‘Laugh Stop’ in Orange County (maybe the first one week/stay in a condo comedy club) and changing it every Monday night into the ‘Magic Stop’ We carefully replaced the pictures of comedians that adorned the walls with magic posters. We added two close-up tables and it became quite a success. In fact this once a week experiment developed fairly directly into the ‘Magic Island,’ which was owned by the same businessman.

Comedy Clubs came into being nationwide in a big scale in the early 80s when club owners realized they could replace a relatively expensive band, who needed lighting and sound boards, with a comic, a microphone and a spotlight. Plus they could clear the house and get two (or sometimes three) sets of paying customers a night. It was good business and blossomed spectacularly until the cycle played out. That is the nature of the entertainment business, just slightly more cyclic than the seasons!

There is not the same large-scale interest in magic that there was in comedy, mostly because we don’t get the TV exposure. However I believe it would be considerably more beneficial for our art form if there were more cities that featured ‘professional’ regular magic nights in established venues. It would also give the potential pros a chance to perform in front of real audiences, instead of inside the totally unrealistic hierarchy of a local magic club.

This would do some good in fact, because it would force the local magical collective to distinguish between real people magicians and magician magicians. It would give a new prospective on the local magic group and teach them more about the actual practicalities of performing professional magic than any amount of lectures where they sit around nodding sagely in agreement as they are told that it is entertainment that matters most. Actually it is the combination of the entertainment factor and good strong magic, but that’s another story, Or in the words of Buddy Young Jr; “Don’t get me started……”

I see signs of the green buds of a new beginning in the magic world. Think small but think quality, and realize that the coma in which magic has arrived in Las Vegas (except the irrepressible Amazing Johnathan!) might be the start of something better for regular high quality magic shows in cities across the country. This is what formed the comedy boom that created a tidal wave through nightclubs/discos in the 80’s, and there are lessons to be learned from that era.

Thoughts on the Evolution of Learning

•April 12, 2010 • Leave a Comment

In a recent column I pondered about the various merits involved in learning magic from a book or by watching a DVD. I had a lot of interesting email on the piece and decided that I would return to the subject at a future date. What I hadn’t expected was that within a month of writing the column I would have received a couple of life lessons on the topic.

Like many other performers I have recently been spending a fair amount of time debating how to package some of my routines and market them within the magic world. I was reluctantly reaching the conclusion that a series of DVDs was the best solution and that in special cases I would augment the video with the written word.

I recently had the pleasure to work with the British mindreader Marc Paul on an exotic cruise run to the outer reaches of Norway. Let me immediately say what an impressive performer Marc is, his clean cut and carefully planned act was a delight. I will look forward to writing a full-scale review of this superb performer in the near future however at this point I want to concentrate on just one area that Marc introduced me too. That very twenty first century phenomena called an eBook entered my life.

I did own a couple of fairly ‘geeky’ eBooks hidden away in the documents folder of my computer’s hard drive but they certainly hadn’t prepared me for the excitement I felt when I realized the possibilities that learning magic from an eBook presented. I discovered that state of the art delivery and a perfect learning tool now existed.

Marc Paul has a series of really excellent routines available in PDF form via his website and I read them all with interest. Here are a string of first class effects that are worth their weight in gold to a pro and they are available instantly as a downloadable whim. With Marc’s routines it was the simplicity that caught my attention. There was exactly enough text and photos to teach the routines precisely as Marc performs them in his show.  No waste and no padding! I strongly suggest any other magicians with an eye for strong mental material check out Marc’s website at http://www.marcpaul.com

Marc gave me a crash course in the various state of the art eBooks that are available. As I watched Michael Close’s newest publication ‘Closely Guarded Secrets’ I literally gasped when I observed the grace and economy with which complicated ideas and routines could be communicated. This book’s style of mixing written word, photography and video was very definitely something special. I realized that this was the learning curve of the future and have since started work on preparing a series of comedy magic routines in this format.

About two weeks after my discovery of the gigantic potential involved in downloadable PDF files, I was working in Las Vegas filling in for Mac King at Harrah’s. I received a call from Jeff McBride who along with Eugene Burger were bringing their current Mystery School class to see my show. Jeff asked if I would mind doing a short Q & A with the group after the show. I replied that I would be delighted.

On the appointed afternoon Jeff and his group were in the audience and after the show we regrouped for our discussion. During the following hour I was amazed and impressed at the amount of information that I shared with the group. It was a crash course in how live interaction can extract information that can’t exist on any written page.

Of course this didn’t just happen automatically. Jeff had made a list of questions to ask me that cut to the very heart of the performance of comedy magic. Eugene added a couple of fascinating topics to the mix and before I knew it I was able to really express some truly valuable insight to the group. This was a perfect example of how the old-fashioned ‘one on one’ school of teaching and mentoring could not be beaten as a learning tool.

It is as easy to forget the importance of the traditional styles of learning, as it is to fail to notice the new methods that technology has presented us with. One thing that remains very clear to me is that in any learning situation the most important thing you can do is to ask the right questions. In fact if you ask the wrong questions it really doesn’t matter what answers you receive. High-tech or low-tech we are now presented with a myriad of ways to learn and it is our job to balance our forms of input and then to put the resulting information into application. Nothing is really learned until it is put into application.

Musing on Cruising. A consumer’s report.

•April 9, 2010 • 1 Comment

I have just finished most of Leg 6 on the Queen Mary 2. It seems a good moment to contemplate on the state and art of cruising. There must be very few industries where prices are lower now than they were 20 years ago. Cruising is one of them. Now you still need a pretty serious bank account to take a 90 day cruise with Cunard but the necessity of being ‘Upper Crust’ as Virgin Airlines describe it, with the casual dry wit they have always employed, is no longer such an important factor.

Generally speaking cruising has become less invested in an outdated class system than by the choice of the Cruise Line that most suits your lifestyle. The key factor is still really all about location, location, location; and destination, destination, destination. The cabin you choose can dramatically affect the price you pay for a cruise.

Would you rather have a small inside cabin on a more expensive ship or a larger cabin with a balcony on one of the many newer style ships: or to be more precise larger ships. How much time will you be spending in your cabin? With a larger cabin, room service and a comfortable balcony you may never want to leave it; is your goal the ports of call that your voyage takes you to.

The trend towards gigantic ships has lowered prices dramatically. Fresh on the heels of the worldwide financial downturn, which hit the cruise industry just as the devastating effects of the 9/11 attack were starting to be resolved. Ships are designed, planned and ordered  many years in advance, and there are currently just too many cabins available and in need of filling.

The cruise industry was giddy with delight in the late 80s/early 90s with the figures that showed only a tiny percentage of the population had taken a cruise vacation. They may have got a little carried away. One of the next large cruise ships to be brought into service will carry 6000 passengers, and that same line already has 21 ships in service. These are heady numbers and are resulting in discounting of tickets on a large scale if you are prepared to book your trip close to the departure. A little flexibility can cut your costs in half.

The general theory was that by lowering ticket prices a huge influx of passengers would be attracted to the notion of booking a cruise for the first time. Where the theory went of course was in assuming that these same passengers would spend the money they had saved on their ticket price on onboard services. Many of them didn’t and suddenly the industry was giving away  cabin on a cruise ship for less than the price of a modest hotel room.

Some of the smaller ‘uber deluxe’ lines which were all inclusive, free alcohol and no tipping seem to have been worst hit.The smaller lines are now being hit with the problem that because of their cost passengers realize they can get a wonderful suite on a newer ship, pay for their own alcohol, tip the staff and still find an enormous amount of extra cash in their pockets. These smaller luxury lines are now having to make cuts in their budget that any discriminative cruiser will notice.

Onboard the Queen Mary 2, all the entertainers performed one show using their ‘A’ material On a recent trip on a ‘Silverseas’ ship, I performed three 55 minute shows. alternating with ‘mini’ production shows that were performed on a stage that was so small that the overall impression was of a high-school production performed in your living room. The passengers on these ships are pretty savvy business people and I was astonished by amount of passengers who spotted the shrinking of the budget. When you spend $1000 a day, but could be on another ship for $100 a day, you begin to wonder such things.

However, every industry has been hit by recent events, and I suspect the inherent ‘recognition factor’ of a line like Cunard that has kept it’s standards high, will keep their cabins filled with happy passengers looking for a little nostalgia in their mode of travel. I am just as sure that a line such as Royal Caribbean International will weather the waves of future economic changes with their ice skating, rock climbing, water surfing giants of the sea will attract plenty of passengers who want to explore these new elements on a cruise vacation.

My only thought is that eventually these ships will get so big that it becomes easier to leave them anchored in the Caribbean and ‘tug’ the islands to the ships! One thing I am certain of is that this singular industry will find a way to fill their ships and make a happy profit again. In the meantime there are bargains galore and with a little surfing (on the Internet!) and flexibility in planning your vacation, the perfect cruise is waiting out there for you to arrive.

A work of pure stunning genius!

•April 8, 2010 • Leave a Comment

HERE LIES LOVE

I have never taken time on my blog to plug an album, however, this is a work of sheer genius. It takes a couple of times to get the mood of the piece straight, but you won’t regret it. Download it now. Living proof that there is still art left in the music industry!

David Byrne and Fatboy Slim have paired up for Here Lies Love, a 22-track song cycle about the life of former First Lady of the Philippines Imelda Marcos and her childhood servant, Estrella Cumpas. Due April 6 on Todomundo/Nonesuch Records, the album includes two CDs of music, a DVD with six videos, and a 120-page hardcover book detailing the project and a DVD. In addition to Byrne and Fatboy Slim, Here Lies Love features performances by Santigold, Florence Welch (Florence + The Machine), Sia, Steve Earle, St. Vincent, Natalie Merchant, Tori Amos, Sharon Jones, Nicole Atkins and many others. Along with the recording, The Public Theater in New York City is developing a theatrical version of Here Lies Love for a future production.

Here Lies Love came into being when Byrne approached Norman Cook (a.k.a. Fatboy Slim) about collaborating after reading of Marcos’ affinity for the clubs and discos of the late 1970s and early 1980s. “The world of a royal court [is] surreal and, to my sensibilities, very theatrical,” Byrne notes, “but now there was an added soundtrack!” Byrne further elaborates: “The story I was interested in was that of Imelda’s rise alongside the tragic parallel story of Estrella, the woman who raised her as a child. I felt that this story was more universal, revealing and profound than that of the shoes—which anyway weren’t discovered until the mobs descended upon the Manila palace after the Marcoses fled. For me the Marcoses’ departure from the palace was the end of the story.”

Magic doesn’t get much better organized than this!

•April 7, 2010 • 4 Comments

I recently had the pleasure of performing at the legendary ‘Monday Night Magic’ in New York. What a pleasure it was to be incorporated into one of magic’s most successful events. I have been trying to include this event into my schedule for many years and finally the stars aligned perfectly.

An added bonus to my visit was that I got to stay with Peter Samelson, this was a two man magic convention all on it’s own. Peter is a really accomplished and thoughtful magician who is quite unique in the attention to detail and subtleties he brings to his art. I suspect we could have chatted magic for many more nights without any significant break in the conversation.

Peter picked me up on Sunday morning at Port Liberty cruise terminal in New Jersey, which was well beyond any call of duty. To pick up a disembarking passenger at this port requires, patience, dedication, several cell phones and a great deal of luck. Fortunately we seemed to be blessed with all the above.

I visited the ‘Magical Nights’ at the Legendary ‘Feinstein’s at Loews Regency’’ that first evening and got my first taste of the careful planning and minute attention to details that have made such a success of this event well as ‘Monday Night Magic.’ No wonder their success has been as extended and thorough as it has.

‘Feinstein’s’ boasted an audience as sophisticated as any I have ever seen. Neil Sedaka was in the audience with his grandchildren enjoying the perfect family entertainment. The pre-show close up by David Condon and Peter Samelson was superb, it was wonderful to see the process of table-to-table close up turned into an art form. In fact I couldn’t resist working a table or two myself and was delighted to find I hadn’t lost my touch at this delicate and delightful style of magic.

The stage show opened with the astounding sword swallowing of Todd Robbins. To be absolutely honest I didn’t quite believe it was all totally genuine or I might have been a lot less happy watching, being of a slightly squeamish nature! His dry humor added greatly to a unique performance. The headliner that night was Asi Wind  who performed some highly original and totally baffling magic and mentalism, the show was very tightly constructed and the crowd loved it; so did I. The entire event was a home run!

The following day Peter took me to visit Charles Reynolds and his lovely wife Regina. We men happily talked magic while poor Regina was toiling away at the tax returns in a back room. It didn’t seem fair, but I suspect it is a scenario being enacted in many a magician’s home!

We then drove to the Bleecker Street Theatre for ‘Monday Night Magic’ and my part in the proceedings began. The theatre was just perfect for a magic show with not a bad seat in the house. The technical staff was not only helpful and friendly but also really great at their craft. It was a smooth, professional production that really showed of the performers at their best.

I certainly wasn’t surprised at the quality of the show, in fact by now I really expected it. The amount of phone calls and communication that goes on between the producers to ensure quality control and smooth sailing was astounding.

The show began at 8:00pm and was hosted by Todd who again showed his skill as both a performer and an M.C. He began by introducing David Oliver from Boston, whose comedy and magic struck a giant chord with the audience and he received a well-deserved ovation for his performance.

The fine comedy juggling of Michael Dubois closed out the first half of the show on a really high note. He is a performer who is going places—remember his name. During the evening Michael Chaut performed some top-notch close up, which had his audience amused, confused and amazed. Michael seems to have the highly desirable ability to combine the mind of a business and the sensibility of a fine performer, a very nice combination indeed. Michael was ably assisted in the close-up section of the show by the performances of David Condon and Prakash. The second half of the show consisted of yours truly, performing my stand-up comedy and sleight of hand magic show. I had a blast and the audience seemed to enjoy the proceedings as much as I did, which is saying a lot.

If this sounds like a rave review—it is! The brainchild of Michael Chaut and co-producers; Peter Samelson, Todd Robbins, Jamy Ian Swiss and Frank Brents, is something very special. Maybe it is because they are all such skilled performers themselves that they seem to instinctively understand the right moves. They collectively succeed in presenting magic as a true art form, sophisticated but friendly, and have created something very special.

If you are visiting New York and fail to visit these shows, you are missing the best that magic has to offer, both onstage and behind the scenes. Bravo to all concerned, I was proud and honored to be part of the proceedings.