Conventions and Unconventions……

•November 14, 2014 • 2 Comments

bc5d2290_stdI had a wonderful visit last week to Cumberland Falls in Kentucky where I was the featured entertainer at the “Uncon Convention.” If you didn’t know about it then let me explain that Uncon stands for unconventional. An unconventional convention—they had me hooked the moment I heard the title. My kind of event!

This was a beautifully executed little convention that was filled with a delightfully friendly group of magicians. It was a pleasure to perform/lecture at a convention that was small enough that I got to talk and mix with every single person attending. That doesn’t happen nearly often enough in this day and age.

Part of the “Unconventional” element to the convention was that a huge degree of spontaneity was central to the event. Other than a general outline of what was going to happen there were many areas where things were just allowed to happen. It was a refreshing and highly effective way to run the convention. I wouldn’t want to try it with a large group but with this sized convention (probably 85 attendees) it was a lot of fun. We all had a total blast.

This was my most recent convention and during the course of it I spent a little time reflecting on my first magic convention. I’m sure all of us have a special place in their heart for that very first convention which we attended. It was almost always an amazing experience when you realized you had the opportunity to talk/watch/think/breathe magic 24 hours a day with a bunch of like-minded maniacs!

My very first convention was in the delightful seaside town of Southport in Northern England. I was particularly excited to see bc5d2259_stdhow my mentor Ken Brooke participated in the event since he was highly regarded as possibly the greatest pitchman of magic in the UK. I wasn’t disappointed and thoroughly enjoyed watching him spend four full days working the crowd. It was truly a sight to behold.

When Ken set up his tables in the dealer’s room at a convention there were always two people who were deeply upset—the dealers with the booths on either side of him! When Ken worked a convention, he really worked it, and did so in a loud, aggressive and 100% entertaining fashion. The moment you walked into the room it was easy to spot where Ken was located, you just looked for the biggest crowd in the room and usually it was flanked by two totally empty booths.

Ken put on a non-stop performance from the moment he took his place in his booth until he left the room at the end of the evening. He took a couple of breaks to partake of a cup of tea and sandwich, but the rest of the time he was selling magic at a rate that left many other dealers worried whether he was leaving the attendees with any cash in their pockets.

bc5d2335_std-2 Ken was not just a gifted magician but he was a born pitchman who knew how to work a crowd into a wild frenzy— often in fairly outrageous ways. He would make a one-time offer, “Four of you, give me five pounds for this package! No I won’t bloody tell you what it is, in fact I won’t even sell it to you now—not even for twenty quid!” People would begin pushing money across the stand like punters at a three-card game. They usually ended up buying enough extra items to offset any potential initial bargain. As a philanthropist Ken was a great businessman.

Often Ken would refuse to sell someone an item and just tell the potential customer that it wasn’t the right trick for him or her to buy. “You just aren’t the magician to make it work.” He would say. In this manner he would ensure that this particular magician would spend an entertaining hour buying other items and trying to persuade Ken to sell him the “forbidden” item. Meanwhile everyone else crowded around the stand buying that mysterious trick just because Ken would sell it to them.

I wish I had Ken’s savvy at manning my dealers table after a lecture. If you see me at an upcoming convention stop by and I will share dozens of other great Ken Brooke stories, then again I might just refuse to sell you something! I have never been backward at applying lessons I have learned. I am now busy setting up lectures and conventions throughout 2015, so if you want to book my lecture, workshop or master class Contact me at nicklewin1@mac.com

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The Mystery Lounge.

•November 7, 2014 • 2 Comments

IMG_9868Last Tuesday I had the great pleasure of appearing at the Mystery Lounge in Boston. This was only the second time in the 19 years the Lounge has been around that I got to participate in the fun. I wish all the gigs I do were as big a blast as this one! It was fun with a capitol F.

First you make your way to the Hong Kong café located at 1238 Mass Avenue in Harvard Square. After walking up three flights of stairs you arrive in The Mystery Lounge, if it is a Tuesday night. The rest of the week you would be in The Comedy Studio— a very popular local comedy venue. That is when things kick into gear.

The showroom is a cozy performance space with a small stage situated across one of the corners of the room. There is friendly bar service from the cocktail waitresses, who will also bring you menus and deliver your choice of delicious (and very reasonable) Chinese food. The venue offers low-key, but effective tech for its performers, which is run by the charming Andrea Hogan-McAlpin. Much to my surprise after my performance she handed me a DVD of my show that had been taped from the booth. This was a very nice touch and is a real benefit to magicians performing who wish to try out new material.

It was Halloween week when I was featured in the Lounge and we had a special surprise on the bill in the personage of Dr. Magogo. It was a delight to watch the droll performance by the good Dr. who performed some IMG_9877classic effects with quirky props that looked like antiques! In fact, nicely layered with sight gags, the Dr. performed a couple of effects that I had only previously seen in magic catalogues. Dr. Magogo is a regular Halloween guest at the Lounge and his performance was obviously highly anticipated by the audience, he performed two segments in the show and received a great ovation from the audience. I enjoyed both sets enormously.

I know very little about Dr. Magogo but with his whitened face, razor thin mustache and bright red fez it reminded me of the bills I shared in the ‘70s with my old friend Johnny Platt. I believe the Dr. must be a good friend of the mega talented Mike Bent as they arrived together. Sadly I didn’t see anything more of Mike during the remainder of the evening; which is a shame as he is one of my very favorite comedy magicians.

The next performer to hit the boards was another local favorite Joe Howard. Joe, wearing his trademark bowler hat, performed a fast and funny act that was perfectly honed and presented. The laughs came thick and fast but never at the expense of the great magic he wowed the crowd with. Joe’s versions of Chase The Ace and Cups and Balls are definitive in their ability to remain visual in a showroom setting. Joe is expert at bringing the energy of street magic into a formal environment. The crowd roared their approval!

IMG_9890 A comedian from the Comedy Studio mixed up things on the bill with a short set of pure stand-up comedy. Sadly I didn’t get to catch his set, as I was busy in the dressing room setting up my props for my performance. The addition of this blast of non-magic comedy is something that adds significantly to the appeal of the Mystery Lounge.

I then got to perform a 45-minute set of my favorite pieces of comedy and magic to the delightfully appreciative audience. With so many friends and colleagues out front, including fellow performers Robert Fellows and David Oliver, it was a truly joyous experience to bring my magic to Harvard Square again. I am counting the minutes till my next visit. If you have a chance to visit the Mystery Lounge—do so!

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Return of a great prop, in an improved form!

•November 4, 2014 • Leave a Comment

A special note from Nick to mentalists and magicians.

Screen Shot 2014-11-05 at 4.46.33 PMFor nearly ten years I performed a short, fast and enormously effective mental effect in my nightclub show. It never failed to get a huge reaction and all the props fitted in my shirt pocket! It was achieved by using the excellent nail writer that was manufactured by Johnson Products. Sadly the gimmick was discontinued and reluctantly I discarded the routine when I couldn’t find another Swami Gimmick that met my standards.

I have recently commissioned the production of a Swami Gimmick that exceeds the standards of the one I previously employed. Unlike other writers (including the Johnson model) it is constructed of metal instead of brass or copper, this means that the gimmick can now be attached to a magnet. This makes a huge difference in the manner in which it can be used, in particular the vital topic of how the gimmick can be disposed of after its use in the show. It cuts down significantly in the amount of writers that will be lost during performances!

If you are a pro mentalist or magician who has used this prop before I believe this release is something very special. There are numerous published routines that can be added to your repertoire now that a really high quality nail writer is once again available. If you have never used a Swami Gimmick before then you are in for a treat when you explore the possibilities they open up.

This initial release consists of two Swami Gimmicks in a travel container, spare lead and magnetic strip. Add a pencil and a couple of index cards and you are ready to blow an audience’s mind! I have a few other surprises and routines in store but I am offering this package at the introduction price of $30 including postage within the Con USA and $40 worldwide. It is a great price for a wonderful prop!

For the special price contact us at nicklewin1@mac.com 

 

McCombical: The Wit and Wisdom of Billy McComb.

•October 31, 2014 • 2 Comments

McCombicalCover_webI recently had the honor of being asked to contribute to the new book “McCombical. The Wit and Wisdom of Billy McComb.” It meant a lot to me to be able to join in with others in adding my thoughts about this legend of magic. Billy was my hero, mentor and friend from the moment I first met him when I was 11 years old. We remained dear friends until the sad moment of his passing in 2006. I miss him very much to this day and he will always remain irreplaceable in my life.

One of the few things that saddened me in connection with Billy was that many of his brilliant routines and ideas were so poorly represented in print after the publication of his classic book “McComb’s Magic: 25 years Wiser.” Martin Breese published a written version of his magicassette interviews under the title of The Professional Touch, however it was nothing like as important as “McComb’s Magic” in preserving the creative genius of Billy. McComb’s first book “The First Book of William” is a tough to find booklet, but definitely required reading for the comedy magician. McComb’s remaining routines were mostly scattered around in magazines, lecture notes and pamphlets.

I just received a copy of the new book “McCombical” and I am delighted to say that Magic Inc. has finally published a wonderful addition to the written legacy of the brilliant magical mind of McComb. From a series of scattered source, Sandy Marshall has created a book that should be in every magician’s library. “McCombical” will be inspiring performers, hobbyists and scholars for many generations to come because here indeed is a book that pays full tribute to the genius of one of magic’s greatest creators.

“McCombical” is 197 pages that jump to life as you read them. The profusely illustrated book divides Billy’s creations into six major categories — McComb:Musso'sCards, Silks, Ropes, Mental Miracles, Stage and Close-Up/Parlour Magic. Interspersed with the tricks and routines in the book are a series of fascinating and revealing appreciations and tributes to Billy from his many friends. This is a beautifully edited and published book that lives up to its title by putting a delightful focus on the wit and wisdom of this iconic performer and magical inventor.

Over the years I knew Billy I was always astounded by the width and breadth of his knowledge about all things magical; this book puts all that knowledge on display and the wise performer will be dipping into it for years to come. A young performer could create a delightfully commercial show just from within the pages of this one book. There are only a handful of books that I can honestly say that about.

Many of Billy’s most classic effects are contained within this book including his half dyed silk, whisky egg bag, torn & restored card and a dozen more. They are sure fire and direct effects that are all proven and tested in the arena of real world performance. These routines are written and illustrated in the words and drawings of McComb himself and are a joy to read. When the book arrived in the mail I spent the next day reading the book cover to cover and it was like spending a day with Billy— without the smell of tobacco!

I can’t recommend “McCombical: The Wit and Wisdom of Billy McComb” highly enough. I am extremely grateful to Sandy and the rest of the gang at Magic Inc. for allowing it to grace my bookshelf. If you want to add it to your library you can find it on their website at http://www.magicinc.net/mccombicalthewitandwisdomofbillymccomb.aspx

I want to also make mention of a really great podcast that I am featured in this month. The podcast is called The Successful Performercast and it is a wonderful free resource for the magic fraternity. I had a blast during the one-hour interview with Kris Sheppard and passed on way more information than I planned to! I highly recommend it to all our readers and suggest you visit their website at http://www.successfulperformercast.com or you can download their latest podcast through iTunes by going to https://itunes.apple.com/us/podcast/spc-032-nick-lewin-magician/id866935997?i=320431376&mt=2

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Talking Corporate Magic. A very cool podcast to check out.

•October 25, 2014 • Leave a Comment

I just recorded a podcast interview with Kris Sheppard of Successful Performercast. It was a very enjoyable one hour interview where I got to discuss a whole variety of topics. I thought it might be of interest to readers of my blog. There are 31 other interviews in the series and I think they are a really excellent resource for magicians.

You can listen to my broadcast ahttp://successfulperformercast.com/nicklewin/ 

To read the show notes and check out the other podcasts go to http://successfulperformercast.com

 

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Hoping to see you there…

•October 24, 2014 • Leave a Comment

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I will be appearing on October 28th at the Mystery Lounge in Boston. The Mystery Lounge is one of my very favorite haunts in the world. Located in the Harvard Square area of Cambridge it is one of the countries longest running magic rooms. For over 19 years the talented group of Boston magicians who helm the Lounge have been presenting top-notch magic shows to sold-out audiences. You can get full details about this unique venue by visiting their website at http://www.mysterylounge.com

I will be performing with the incredible Mike Bent and, rumor has it, there may be a special appearance by the great Jon Stetson. Knowing how the Lounge works I am guessing there will be two more great acts rounding out the bill. If you have never visited the Mystery Lounge then make a point of stopping by if your travels leave you in the Boston area on any Tuesday night. If you are around on Tuesday the 28th I warmly invite you to come on by and join in the fun. The show begins at 8.00pm and tickets cost only $12. That’s right TWELVE DOLLARS, what a deal!

On the 29th of October I will be taking my lecture to the Boston area, for the Silent Mora-Ray Goulet IBM Ring #122. The lecture kicks off at 8.00pm and takes place at the First Church (Unitarian) in Watertown. The cost is a mere $5 for Ring members and $10 for IBM members. It is going to be a great lecture and I have some great surprises in store! For more information contact Debbie O’Carroll at http://www.debbie@debbieocarroll.com (978) 462-9954.

Looking ahead into November I am excited to say I will be the featured lecturer/performer at Ring 98’s “Uncon” on November 7th and 8th in

Uncon Ad copyCumberland Falls. Kentucky. What exactly is an “Uncon?” Well, I can say it all when I tell you that Uncon is an abbreviation of Unconventional. This is not your typical magic convention and it is considered by many to be one of the most enjoyable and informal meeting spots for magi. To get full details about the convention contact them at www.mail@ring198.com or check out their Facebook page Unconventional Convention-Ring198.

I am booking lectures throughout 2015 and hope to meet many more of my readers and magical pen pals! If you have a group that features magicians lecturing and would like to see one of my lectures or Master Classes then let your club’s booker know it. They can contact me about dates and details at www.nicklewin1@mac.com and I will send them a lecture package.

I also have a package that combines a live 60 minute show, Workshop AND Master Class. A chance to see and learn a great deal of nifty magic!

Visit my online store at www.lewinenterprises.comI have exactly 8 of my Lemon Aid effects still available for purchase before the price is raised and they become a custom item. Check out the video on my website—it has been getting raves from purchasers around the world.

 

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Learning, performing , creating and adapting. 4 skills that work well together!

•October 16, 2014 • Leave a Comment

Nick-3 - Version 4I have recently marketed several items from my own act within the magic world. I tried very hard to pass along every nuance of what I bring to my own performance of these effects. Like many other people who have done something similar I urge the purchaser to learn the routines as I present them before attempting to reinvent them.

It is a scary project to try and release and launch a routine that you have spent decades polishing and perfecting. New purchasers can’t wait to tell you the changes that they are going to make! They usually have no idea (and will not believe) that you have often thought about these changes yourself and rejected them for some very sound reasons.

It is, of course, the goal of anyone who releases a favorite routine to have it blossom in the hands of its latest performer. To see someone merely recite your patter and follow your actions blindly can be very depressing. In deed the way that an original routine can become a standard within a single generation is a very sobering thing. It can make you despair for the lack of creativity that is often on display in our fraternity.

As a dealer it is nice to feel you have done your best to pass on a routine that really works and is “bulletproof.” However there is really nothing you FullSizeRendercan do to help or hinder the performance of your latest routine after someone lays down their cash and buys it. You just add the little note that I mentioned earlier and hope someone is listening.

I recently reviewed two items by Joe Monti that were superbly detailed routines that had been carefully polished for decades in the heat of repeated performance. Joe included that same simple request that I make and asked his purchasers to take the time to perform the routines as written several hundred times before making structural alterations. I nodded approvingly when I read his words.

It is currently my goal to buy a few strong routines, review them, learn them, and then to actually perform them. At that point I plan to write a little bit about what I learned presenting them. I thought this might be an interesting take on the normal process of reviewing a marketed effect.

I went through Joe’s routines, carefully studying them. In doing so I found it astonishingly easy to fail to follow not only Joe’s words of advice but also my own very similar request. No sooner was I “learning” the routines than my mind was spitting out “improvements” to me. My ideas were soon getting in the way of the delightfully stripped down directions that Joe had supplied me with. I realized that most of us magicians are really obsessed with the small changes and minutia that are going to be able to allow us to call the trick our own. It is much easier to adapt than create.

celebrity-smart-ass Noticing this, I then decided as an experiment to take one of Bill Abbott’s recent releases “Celebrity Smart Ass” and just add it to my act a couple of times. Bill supplies his customers with what he calls a Pro-Package. Every necessary detail and even a detailed script accompany these items when they arrive in your hands. I just did exactly what he suggested, and after the minimal practice required to guarantee physical success I added the trick to my act in that perennial sweet spot for launching a new routine—second up in the show!

I was amazed at the success I was rewarded with. This was a great commercial routine that I had initially slightly underrated by mentally pegging it as a hybrid of two tricks I had performed before. There was quite a bit more going on than I had previously thought about however. The simplicity and effectiveness of The Force involved created a totally new and exciting dynamic.

The first time I performed “CSA” I was so excited by the success I immediately rethought the entire routine! I had a chance to perform it again the next night for a different group of 250 people. Fortunately I managed to leave my notes in my computer and continue my experience of “just” performing someone else’s routine. It killed once again and I continued observing what was happening and making notes for future use.

Will I be doing this routine “as written” in another few months? Not a chance in hell! However I did learn an important lesson about not confusing learning and creating.We are very lucky in the magic world because unlike almost any other form of variety entertainment we are encouraged and enabled to buy big hunks of commercial material that has been road tested. I found it fascinating that as a performer who has been buying magic props/routines for about fifty years and selling them himself for five, I had such very basic issues to explore about how to build a better relationship with my next potential performance piece.

Visit my online store at www.lewinenterprises.co I have exactly 10 of my Lemon Aid effects still available for purchase before the price is raised and they become a custom item. Check out the video on my website—it has been getting raves from purchasers around the world.

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The Length and Nature of the beast!

•October 10, 2014 • Leave a Comment

Nick-16r-3 - Version 2One of the questions that potential bookers like to ask you is “How long is your show?” It is a very fair question but not an easy one to always answer correctly. Shows are like suits and can come in any size and just like a suit they are best when they are custom fitted to the individual purchaser.

The obvious first reaction is to enquire how long the buyer was thinking of for the show. However they very often have not thought about this thoroughly and you need to ask a few pertinent questions in order to come up with a suitable running time. For an average after-dinner show it is very common to hear the response, “ Oh, about an hour.”

In my experience when you get this reply it means they really haven’t thought about it much. An hour is a convenient length for Network TV programming but often awkward for a banquet performance.

An hour is also a very sensible unit of time to hire wandering magicians to perform for, and all the performer has to do is let them know his/her minimum time and the hourly fee. Job accomplished. However an hour can be a really long time for an after dinner show. The seating and lighting arrangements can often make an hour seem interminable. Add to that the fact that you are often the final event in a long and busy evening (or day) and you might want to make a pitch for a “less is more” option.

Very often that one-hour show was just a random thought by the booker who just settled on a round number. My personal response to that question is always to say, “45 minutes, but if they are really enjoying it then we can run a little longer.” It is a nicely considered answer and shows adaptability and sensitivity to the environment. Of course you can adapt the basic time to whatever works best for you. It also gives you a little wriggle room.

It is important to find out what the structure and nature of the event is before fine-tuning your details too tightly. If there is going to be an awards Nick-37presentation then you are going to want to do you very best to have your show prior to the awards when you still have a decent shot at holding the audience’s attention. Performing after the awards presentation is not easy and usually a lot less fun. It should be avoided if at all possible.

There is also a trend these days to have entertainment that begins when the meal is served. Hmmm, this is a curious way of performing your show but not necessarily without it’s merits. On the plus side you will probably start on time, get home earlier and the audience will also be less tired for your show. On the negative side you will obviously get less applause and have some problems with audience participation. I have done some shows like this that were a blast and others that were way less so…

Let’s discuss that little phrase I threw into the last paragraph so casually—You Will Probably Start On Time. It is almost inevitable that your banquet show will begin later than anticipated, possibly a LOT later. It can be advisable to prepare your client, in case of a very late start, that shortening the show can make it much more commercial and audience friendly. The sad truth about almost every corporate show is that no one really gives a damn about the entertainment even if they enjoy it. This is a business event.

It never does any harm to let your buyer know that you are aware of how these events are likely to proceed. That is just being business like on your part and shows a nice professional savvy. It is also only correct to make your case and then finish by saying, “Of course, I am happy to do whatever you want…” You can make useful suggestions but they are supplying the check and you are just there to supply the show.

However long you end of performing it is vital to be a professional about sticking to the time frame you have discussed and contracted. That means don’t run long just because they are a good audience, there may be a reason for the schedule they have arranged. Sometimes the opportunity for guests to socialize at the end of the evening is the entire reason for the event. While you may feel you were ‘killing’ the audience and totally justified in running long, maybe you were just killing the moment that the event was staged to create. You really can’t beat the old showbiz axiom about leaving them wanting more.

Visit my online store at www.lewinenterprises.com As of writing I have exactly 16 of my Lemon Aid effects still available for purchase before the price is raised and they become a custom item. Check out the video on my website—it has been getting raves from purchasers around the world.

Subscribe to my blog at www.remarkablemagic.com

A Couple of Gems of Practical Magic.

•October 5, 2014 • 2 Comments

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I have recently begun to review some of the newest magical releases in the various magic journals I write for. Nowadays brick and mortar magic stores are beginning to feature heavily on the endangered species list. The business of choosing how to transform your hard earned cash into commercial magic via the Internet certainly has it’s own traps and pitfalls. I hope I can help with some unbiased and practical input on the matter.

I am trying to concentrate on sharing commercial and “show ready” routines, and will be focusing on comedy magic and mentalism tricks/routines because this is my area of interest and expertise. Most, but not all, of the items I review are effects that I have actually purchased—because that can give you a different perspective on them. I am certainly delighted to write about items that I have been sent at random, however my goal will be to continue to primarily concentrate on the commercial appeal of a release.

There is a trend recently by “professional reviewers” to be rather scathing about the “one trick DVD” and bemoan the fact that the publisher expects $35 dollars and only teaches a specific effect. I couldn’t agree less with this viewpoint. A DVD that really allows you to learn a worthwhile routine and then add it to your repertoire is a wonderful thing and in my opinion beats out most releases that are packed with tricks (or more accurately ideas) that are only partially thought out. In this world you have to pay for polish and focus and to my mind $35 bucks is a ridiculously small price to pay for someone’s knowledge and experience.

In my opinion a perfect example of a strong release is “Joe Monti’s Original Thumb Tie” DVD, you can find full details at www.thumbtie.com If you image3buy this item you are purchasing twenty plus years of experience that will allow you to perform an extremely effective routine that has been polished and perfected in the furnace of live performance. If you want to add an effective thumb tie routine then look no further you will not be disappointed.

There is no wasted philosophizing or padding in this release, your $35 buys you some zip strips and a short video that does an excellent job of teaching you Joe’s routine step by step. If you want to add a classic trick to your show that blends strong comedy with powerful magic, then this could be one of the best purchases you can make. Always important to me, every prop involved in this trick fits in your back pocket and yet the action involved will fill a living room or big theatre with equal ease.

Another item that Monti is currently marketing is his “Three Card Joe,” an effect more commonly known as Chase The Ace— or details go to www.3cardjoe.com Joe’s routine is smooth, smart and thoroughly streamlined for effective performance to contemporary audiences. Like Joe’s thumb tie routine part of the appeal in his handling is that he has cut out every unnecessary element that gets in the way of the intrinsic impact of the effect. Just follow his deceptively casual instructional DVD, spend a few hours in front of the mirror and you have a classic effect that will stand you in good stead for years to come.

I have performed different variations of Chase The Ace ever since Ken Brooke taught me my first one in the mid 60’s. This one is the most direct and effective I have found, no extra moves or wasted time, just a well thought out routine that gets right to the point—maybe I should say cuts to the chase! You also get beautifully made cards that have been designed and manufactured to the highest standards.

After 45 years of professional shows, I still get a kick when I discover truly definitive routines and I am grateful to Joe for sharing his working material in this manner. Both items are highly recommended to discriminating magicians. You can contact Joe at joemonti@joemonti.com

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The Act, and some thoughts about it….

•September 26, 2014 • 2 Comments

a0157b7d-9976-410d-bba8-6ccf1dbf4c48-The-ACT-I thought it might be interesting to talk a little bit about a topic that most of us spend a great deal of our time talking about and learning to do, without ever thinking too closely about our relationship with. That ever present and forever changing aspect of our being is our “act.”

Here are some of the definitions of the word act from the dictionary.

act |akt|

Verb [ no obj. ]

1 take action; do something

2 [ with adverbial ] behave in the way specified: they followed the man who was seen acting suspiciously | he acts as if he owned the place.

3 take effect; have a particular effect: bacteria act on proteins and sugar.

5 perform a fictional role in a play, movie, or television production: she acted in her first professional role at the age of six.

Noun

1 [ in sing. ] a pretense: she was putting on an act and laughing a lot.

2 a main division of a play, ballet, or opera.

  • a set performance: her one-woman poetry act.
  • a performing group: an act called the Apple Blossom Sisters.

That is a lot of descriptive word power for a tiny three-letter word. Especially when in the magic world we normally just mean a list of tricks that weNick-3 - Version 4 perform in a particular order, most of the time. I think those definitions above are rather interesting and are worth quietly meditating on for a moment or two.

It is the role of any novice performer to just throw a few tricks together and hope that they function as an act. Once the act has been performed enough times they begin to make some changes and improve the impact of what is being presented. It is important to experiment until something is achieved that is really effective and coherent. When this begins to occur it is vital not to freeze up and mistake the process of success for the result of success.

It is very easy to get mentally stuck just as the act really begins to click. The actions and words we employ “onstage” begin to coalesce and form a cohesive identity and we perceive of an ‘act’ as being complete and finished, instead of a permanent transition towards something different and better. It is human nature to be satisfied when what we perform achieves a smooth life of its own, however it isn’t the place to stop, or slow down, if you want to achieve your maximum potential as a performer.

We have all had the experience of watching a magician who has performed the same act for so long that the lack of variables and risk have just sucked all the life out of his show. He may not know it but we do. On the other hand it is usually very exciting to watch a performer who is comfortable enough in his own skin to spontaneously re-invent himself. It doesn’t matter if his malleability leaves a rough edge or two; it is only by exposing, exploring and experimenting in this way that one can turn a rote action into a work of art.

BuddyYoungJrjpg It is a good thing to occasionally remind ourselves that our “acts” are not something separate from us, which we perform at specific times. Our “act” is an aspect of our being that extends a very specific window into who we are —-at that very moment we are performing it. Every show we must search for a way to do something a little different and better. It is selling oneself short to have some “frozen” checklist of what we are going to do and fail to realize that our audiences do not have that same goal in their minds. They enjoy being along for the ride and not just arriving at the destination.

I always like to generalize the difference between a comedian and a variety act by pointing out that just when a comic gets a joke perfect—he drops it from the act. A variety act gets something perfect—it stays in his act forever! I think this is one of the factors in making comedy as vibrant and vital as it is to audiences, while magic remains perennially a more niche entertainment.

The goal of evolution (whether in life or art) is not perfection but to keep evolving. Perfection is a goal and can never be reached or it ceases being a goal. I always think of the wonderfully funny/sad moment in the seminal showbiz movie “Mr. Saturday Night” when the old veteran performer, played by Billy Crystal, after a lifetime of performing says to his brother, “I never got the act quite right…” None of us do.