The one, the only Fielding West

•January 7, 2010 • Leave a Comment

I can’t remember quite when I first met Fielding but it seems like a couple of lifetimes ago! I got a call from Ron Wilson that there was a very funny magician playing the Castle and I should check him out, as I would really enjoy his show. I did and I did.

The first time I met Fielding was in Lake Tahoe a couple of years later. I was appearing in a review at Harrah’s and Fielding was playing at the Casino across the street (Harvey’s, I believe) in another review. It was a showroom such as I’d never seen before in that it was an open working space located right behind the bar.

I took one look at the performing area and decided it was one of the toughest I’d ever seen. Fielding performed his show with an enthusiasm and vigor that kept every bit of focus on him in spite of the various distractions. It was impressive.

I have seen Fielding work many times since and he has never lost those endearing qualities. He can always win over an audience instantly with his charm and good-natured humor. However what you don’t always spot at first glance is how well thought out and executed his magic is. The other secret to Fielding’s success is the way he always adds originality to the mix when he devises his routines.

Whether he is battling an unseen tiger, avoiding bricks from a ceiling he has apparently destroyed or changing magically exchanging clothing instead of places with his assistant; chances are that if you see Fielding doing it you won’t see anyone else doing it. His visual comedy and magical sight gags are always original and ‘of the wall.’

All my favorite comedy magicians Fielding West also includes some really first-rate magic into his comedy mix. You won’t find anything sloppy in his show or in his thinking. Recently Fielding has joined the list of pros that are sharing their knowledge with the magic world by lecturing and via DVDs.

There is much to learn by studying his techniques. I recently watched a video where he shared his handling of the torn and restored newspaper (OK the Enquirer!) and was impressed not only with his attention to detail but in particular with the way he set up the reason for having a newspaper in the first place. Quietly he placed the entire effect into a naturalistic setting by the way he introduced the newspaper in the first place, much as Robert Harbin did in his classic handling of the trick, of course being Fielding the set up was funny as well as being logical.

I recently watched Fielding’s latest DVD; ‘How to be the life and soul of the party’ and it was great. There is no chance of being accused of unfair advertising here. It contains a very cool collection of tricks, gags, stunts, and bits that arm a performer to be able to entertain and amuse at a moments notice.

There are hundreds of DVDs that just teach tricks but just doing a 4 ace routine certainly won’t make you the ‘L & S’ of the party; in fact some of them might speed up the demise of the occasion. Here is a collection of items that are fast, fun and will leave the party guests aware they have been in the presence of a true entertainer. Check out this video because it is stunts and bits like this that result in bookings!

Fielding works non-stop and is one of the most commercial performers on the scene. Next time you have a chance to watch him perform take the chance to look under the surface of the laughs and analyze the thought and attention to detail that is the heart and soul of his work.

The Christmas Gigs

•December 25, 2009 • Leave a Comment

One of the biggest differences between my early years in magic when I lived in England and my American life were the Christmas Gigs.  Kid’s parties: the ‘bread and butter’ or ‘cherries on the icing’ of most English magicians. In the United States there is a great deal more close-up and wandering magic performed.

The primetime of the children’s gigs was centered round the Christmas season, when children’s parties were an almost non-stop source of income for the performer. Most of us made as much money in December as we did in any other 6 month block of time.

The first truly organized pay scale I devised for my services was ‘a pound and a slice of birthday cake’. However the exciting part was that you could sometimes perform five parties in an afternoon! These Saturday (and to a lesser degree Sunday afternoon) gigs were and probably still are the economic backbone of any performing magician in the UK.

Don’t think it was just the beginners mopping up this seasonal gravy. Bookers often didn’t realize the quality of the performers doing ‘baffling bunnies’’ in the living room. With the prospect of a fast ‘tenner’ you might end up with a Billy McComb, Pat Page, Ali Bongo or Robert Harbin on your doorstep. Hell I am pretty sure even Maurice Fogel had a Hanukkah Mindreading Show for kiddies.

In my earliest engagements and bookings in the children’s party market my parents chauffeured me from gig to gig as I was too young to drive. I certainly wasn’t too young to give orders. I would sit in the back of the car snapping out orders and directions like an overexcited mercenary at an old-fashioned regime change. Reading addresses and directions from little slips and pieces of paper I would shout frenzied directions to my good-natured father in the front seat.

I would occupy the back seat of the car and rummage through my big light green suitcase without a handle. I would perform the ‘bear claw,’ which is a nervous habit I have retained until the present day. Every show I do there is a moment just prior to showtime when I think I have lost or forgotten an important prop. I then claw through the closest box/bag/drawer or suitcase looking for the missing item. I am beginning to think this could be a nervous reaction.

Looking back on it now I learned a great deal performing those kid shows. They prepared me for the hustle bustle of actually working as a magician. They had a really nice quality of hit and run. You did your gig; you got your money,you ate your cake and then off to the next one.

Frankly I Kind of miss the simplicity.

Nelson Riddle and the Kid……..

•December 21, 2009 • Leave a Comment

During all my years performing magic, only once did I think about giving it up and doing something different. It happened back in the  ‘70’s in California when I got to work with a musical hero of mine. A call from the Magic Castle put me in touch with a producer from Pacific Palisades. Getting a referral call from the Castle was like Forrest Gump’s box of chocolates, you never knew what you were getting!  The only thing you did know was that Jean had quoted a fee. Jean Cantor was the dynamo at the center of the Castle who kept things hopping. She always quoted a two hundred dollar fee. It didn’t matter whether it was for performing a full illusion show for a thousand people in a ballroom or doing card tricks in a restaurant! The fee was always the same two hundred dollars.

Billionaire Ross Perot was throwing a huge banquet for returned prisoners of war from the war in Vietnam. Hosted by Ronald Reagan, the evening featured an after-dinner show starring Carol Burnett, Edgar Bergen, Sammy Davis Jr. and Tony Bennet. The musical director was Nelson Riddle with his forty-two-piece orchestra. Someone had decided an unknown English magician would be the perfect item to complete this extravaganza. Maybe it was the $200 fee! The most intimidating part for me was doing a band rehearsal with the great Nelson Riddle. I was a huge fan of Mr. Riddle’s awesome orchestral arrangements. For me, Irish singer Van Morrison expressed it best when he sang,  “When Frank Sinatra sings, against Nelson riddle strings and then takes a vacation.” There is just something in the Morrison sings it that says it all.

On the afternoon of the show when the time came for my band call I walked onstage trying to look like this was an everyday occurrence. Mr. Riddle was seated on a piano stool in front of what seemed like an endless orchestra. In my hand were my band parts.  I had always been very proud of the jazzy arrangement of “Rule Britannia” that had been written for my by the bandleader from a cruise ship.  There were band parts for twelve instruments some of which I had never even heard. Looking at the gigantic orchestra they suddenly seemed very inadequate.

“Mr. Riddle….” I began.

“Call me Nelson.” He replied.  I appreciated his gesture but in honesty it had taken all my nerve just to call him Mr. Riddle.  Nelson looked at my meager stack of music, smiled and said:  “Nick, unless it is very important to you, if it’s just intro and bows music maybe you can leave it to me.” He said with a friendly grin. “I am sure I can come up with something for the band.”  I agreed gladly and that was the end of my band call.

That night prior to showtime while standing in the wings I wondered for the first time about what my intro music. This was the summer of “Star Wars” in Los Angeles the movie was everywhere; the characters, actors, images and particularly that wonderful soundtrack by John Williams.  That is what I heard following my introduction. Nelson Riddle and his entire ensemble broke into the fanfare from Star Wars. “DA DA DADA DA  DAAAAH DA….”  Every single one of those forty-two musicians playing their hearts out, strings were soaring, timpani booming, horns blaring and best of all there was ‘Nelson’ on the keyboard keeping it all together. For a moment it ran through my mind that I should just not bother walking out onstage, quit right there on top of the mountain.  Then I took a deep breath and walked out on to the stage.

The Man with the Snake

•December 16, 2009 • Leave a Comment

My earliest influence as a performing magic was an elderly man with the slightly sinister name of Roy Cowl. He was a heavy set man, extremely bald and inevitably dressed entirely in black. He also kept a 10-foot python in a glass tank in his living room. I referred to the snake as Monty but Roy never got the joke.

Roy was the kind of person that when you first met him you said, “Wow, he’s one of a kind!”  However after spending many years among magicians I realize that people like Roy are in fact rather well represented in the magic world.

I first met Roy at a meeting of the Sussex Magic Circle where he was a member, although it was rumored that he had long since stopped paying any dues. Roy was something of a rogue member in our group and was therefore allowed the luxury of doing pretty much whatever he wanted. This seemed to suit Roy just fine.

I had won our magic club’s junior performer’s award three years running.  Which was not quite as impressive as it sounds since there were only two junior members in the club.  My parents kept those silver plated cups I won on display throughout their lives. No success I achieved in America seemed quite as real to them as those cups because they had been there to see me win them.

After my second win Roy decided to take me under his wing.  Nobody in the club ever actually said anything bad about Roy but there was a certainly an undercurrent of disapproval.  Being under Roy’s wing didn’t actually amount to much more than spending the occasional evening in his flat in Brighton; hoping to God the python hadn’t escaped from it’s glass tank.

Roy gave me advice, told me stories and sold me a few tricks he thought would improve my act. Even at my tender age I was aware that these tricks were probably ones that Roy wanted to unload from his own repertoire.  One of these props was a Lippencott box, which, according to Roy, was going to be the key to my success as a magician. This small wooden box allowed a magician to make predictions about future events by a combination of snappy carpentry and minimal sleight-of-hand. I decided to debut this trick at the Mid-Sussex Fair by predicting the headline of our local newspaper two weeks in advance.

The box was signed, sealed and placed on display in the window of ‘Beaumont’s Menswear’ on the High Street of the small village in which we lived. The box was to remain there for two weeks until the Fair’s opening ceremony. The anticipation of this feat left me feeling progressively sick with panic over the upcoming sleight of hand, which somehow seemed less and less minimal as the days progressed.

What followed proved two things to me. Timing means everything and that luck can be both good and bad simultaneously. My prediction created a (local) front-page sensation because the day before the prediction was to be revealed, the Beatles manager Brian Epstein was found dead. Suicide or natural causes, no one knew for sure and the media instantly went into overdrive at this unexpected event.

Rather cunningly I made my prediction slightly ambiguous and stated that one of the Beatles, or someone close to them, would die. In my opinion it is always more convincing to be a little vague rather than too accurate. I received a great deal of press for my stunt and thoroughly enjoyed every minute of it.

I learned a valuable lesson that day. If events work in your favor, then the sky is the limit and if they don’t, nothing much really amounts to anything.  If the headlines that day had read ‘New tax increases’ my moment in the sun would have been a lot less bright.

There you have the entire crux of the situation with headline predictions.

In retrospect the hidden lesson in this event was about time shifting.  By setting up my stunt two weeks in advance I was able to reap dubious rewards for my equally dubious ‘psychic powers’. Although I didn’t know it at the time I had chanced upon a practical application of the ‘One Ahead Principle’ in it’s most primitive form. To this day I firmly believe that the one ahead principle is much too powerful a concept to separate from daily life and reserve purely for mentalists and magicians. I like to refer to as Thinking Around Corners.

Early Influences on the Kid…..

•December 15, 2009 • Leave a Comment

I wonder how many British magicians were influenced into a study of magic in the same way I was? My first exposure to magic was a hand puppet on television called Sooty, who along with his friend Sweep, performed magic shows that went desperately wrong. This seemed to exasperate the elderly gentleman who always hovered at an arms length from them.  I don’t remember much of what they did but it was loud, fun and messy!  That was just fine by me.

When Sooty waved his magic wand it would often cause bodily injury to the elderly gentleman who’s name I later discovered was Harry Corbett.  The magic words Sooty used to achieve his grand illusions were;  “Abracadabra”, “Hey Presto” and my favorite “Hocus Pocus Fish Bones Choke Us!”  To this very day I gleefully use the “Fish Bones Choke Us” in my magic show and it still gets a good chuckle.

This was the extent of my early exposure to the art of prestidigitation and as far as I remember it left me with no burning desire to grow up as either a magician OR a hand puppet.  No, I had it pretty clear in my mind that I was going to emerge from childhood as a caped crusader who could change outfits in a phone booth and became unrecognizable when I put on a pair of horn-rimmed glasses.  Several years later when it was discovered that my short sightedness necessitated the full time use of horn-rimmed glasses, my dreams of being a super hero were dashed.  Until the advent of contact lenses I was stuck as Clark Kent.

With magic the furthest thing from my mind, I accompanied my parents on our annual holiday to Portrush in Southern Ireland.  It was your typical family holiday with ice creams, Cadburys flakes and speedboat rides.  The thrill to me was not the sandcastles, bucket and spades or swimming in excessively cold water.  No, it was here I had my first taste of show business and realized I wanted to become a performer.

My epiphany came in the form of a hypnotist named Edwin Heath.  He had a full evening show in the local theatre just blocks away from our hotel.  I loved that show and everything about it!  Men barked like dogs, women imagined that their clothes had disappeared and all manner of mayhem was unleashed twice nightly. The piece de resistance (which was not, as Mr. Heath pointed out, a French girl who struggles) was when an audience member was suspended between two chairs while the hypnotist sat on his unsupported stomach.  This feat amazed me and seemed unexplainable unless you believed in his strange and wonderful powers.Little did I know that this ‘trick’ was to come back and haunt me for years to come.

Again and again I begged my parents to take me to the show. Spoilt child that I was, again and again they obliged me.  I sat in the dark and dusty auditorium enough times to realize that the members of the audience that appeared onstage were different every time and there was no sign of trickery.  It appeared to me then, as I know fully believe, that it was indeed hypnosis.  At the beginning of the show Mr. Heath performed a test with the entire audience to select those most susceptible to his hypnotic skills. This test involved clasping your hands together and by his persuasion being unable to unclasp them.  I tried it and got suitably stuck. I dashed to the front of the theatre, but when I went onstage for the unclasping I was quickly returned to my seat.  As a hypnotist, he was no idiot and the last thing he wanted was a ten-year-old boy onstage.

This was my first experience with hypnosis, but in years to come another ‘professional’ hypnotist would reach through the years and do more than just entertain me.

My Grandmother and Charlie Miller. Two of a kind?

•December 12, 2009 • Leave a Comment

I wasn’t one of those kids that started doing magic tricks as soon as I could hold a deck of cards.  I had a rather strange introduction to the art of sleight of hand.  My Grandmother was my first teacher in handling a deck of cards. However she didn’t teach me magic, she taught me but how to cheat at cards.

In her little ground floor apartment in a suburb of London, we would play the simple card games all children enjoy. She showed me how to look at the bottom card and deal it when it was most useful.  She taught me how to ‘lose’ an ace during a shuffle and ‘find’ it during the next game.  To me these were simple maneuvers that were easy and fun, I was a good student, and it gave her enormous pleasure to watch me as I progressed in this dubious art.

She was quite a piece of work, my Granny, unusual by any standards, and stranger than I realized as a child.  She had walked a fine line all her life, if the expression ‘pushing the envelope’ had existed during her lifetime then that is what her more generous contemporaries would have used to describe her.

By the time I knew her, she was no longer a wild red-haired young spitfire, she had developed chronic arthritis and was partially bedridden.  Her confinement to bed seemed to end in the late afternoon, when after several pints of cider and a drop or two of scotch she faced the day. Or to be more accurate started the night.  After she finished dressing she summoned a taxicab to take her to “The Angel” her local pub.

Granny remained at the pub until ‘last order’ was called at 10:30PM.  The taxi was then re-summoned to transport her to her Bridge Club in the West End of London.  This was when her day began in earnest, and she played bridge until three in the morning. This was high pressure, high stakes bridge with some of the best gamblers in the city.

For many years whenever the movie actor Omah Sharif was in London filming she was his only bridge partner.  Sharif is more famous for his acting but is considered by those ‘in the know’ to be one of the most astute gamblers in the world.

Looking back, I think that eating chestnuts smothered in butter and cheating at cards with Grandma were the roots of my magical life.  I don’t believe she was a cardsharp herself, however, she certainly knew how and what to do and she seemed to feel a need to share it with someone.

‘When you have knowledge then you must share it’ is a rule of the Universe.   Maybe that is really what life is all about and your little piece of the hologram contains the entire big picture for someone else.

The only person I’ve really met who might have been card sharp, I think, was an elderly gentleman named Charlie. We met in the ’70s at the Magic Castle in Hollywood. I always have regretted how little I really knew him.

In his later years, Charlie was known as ‘Twinketoes Miller’ due to his light-footed prowess on the dance floors of the cruise ships he performed on. Charlie was a superb comedy magician who could produce a brimming mug of beer under your nose and entertain royally with his unique renditions of the great old classics of magic.

Charlie performed some tricks that were so old they were practically new again, many youngsters in magic including myself had never even seen the “Rice Bowls” or the “Mutilated Parasol” let alone performed them.  Charlie did them with grace and twinkle in his eye that made them irresistible. I could have watched him for hours, and I did, as he graced the stage of the “Magic Castle” with the charm of slightly rogue uncle.

A magical legend in his own time, Charlie was a big man, larger than life, with a waistline to match. After Charlie suffered a heart attack his doctor gave him an ultimatum, lose weight or suffer the consequences!  I think it was probably a tough decision for Charlie, who loved his food almost as much as he loved magic.  This is where I got to know him a little better.

As a callow young magician in his early twenties, I realized how close I was to allowing another of Magic’s greats disappear while I was only on a nod and smile basis with them.  Heck, I wasn’t totally sure Charlie actually knew my name!  So I plucked up my courage during Charlie’s recuperation and asked him if I could assist him in any way.  Charlie asked me if I had a car, when I said I did, we were off and running.

Charlie said he wanted to go to a favorite restaurant about five miles from his home and have lunch.  He wanted me there not so much for the transportation or the company but to help keep him on his diet.  I was ecstatic a luncheon date with Charlie was a serious step up in the magic world for me.  I arrived at the appointed time and there he was waiting on the curbside, dressed up in clothing that would have been suitable for weather that was twenty or thirty degrees colder.

We drove along Highland Avenue to a restaurant, which looked as if it had been frozen in time since Hollywood’s long gone golden era.  The staff greeted Charlie with the excitement and respect that Jerry Lewis must receive when he walks into a cinema in Paris.  We were ushered into a dark booth at the rear of the restaurant and menus were brought to the table.

Charlie peered at the menu and ordered a very healthy meal.  He ordered something from every part of the menu: soup, salad, pasta, and steak with a baked potato.  He then looked at me and asked if I thought he could add a desert to the list.  I said that I thought that would be just fine.  I realized that was what he wanted to hear, so I went right ahead and said it!  I figured that this was the reason I was there in the first place.

After washing down the meal with a couple of cups of coffee, Charlie leaned back in his chair and said; “This dieting thing isn’t too bad at all.  That was a good meal!”  He called over the waiter and I assumed he was going to ask for the check.  However, this was far from being his intention.  “That was good,” he said.  “Bring me the same again.”

That was exactly what happened.  The waiter brought the exact same meal from soup to coffee and Charlie ate it again with obvious relish!  Having found a healthy meal to his liking he was going to stick with it.  While more than a little surprised, I was along for the ride, and the second time around I took the opportunity to ask him a question or two about our mutual craft.

I can’t say Charlie said anything that I found too earth-shattering at the time, but in years to come, I realized just how profound his thoughts were in spite of their simplicity.  The secret to magic according to Charlie was to choose strong tricks.  Do not be afraid to perform the classics. Know everything you are going to do and do it well.  Most important of all was to make sure people knew you were having fun doing it.

We repeated our luncheon ritual once more a few weeks later.  It was identical, not only the double meal ritual but he also ordered and ate the exact same food.  I would have happily repeated the proceedings on a regular basis, but before I knew it Charlie Miller’s recuperation was complete and “Twinkleltoes Miller” was back on a cruise tripping the light fantastic.

It was a pleasure to have spent some hours with this very special gentleman and I treasured our all too few hours together. I was delighted to realize I must have made some impact on him because in the future when we met at the “Castle” he always greeted me with a cheery;  “Hi, Nick.”  That was the kind of thing that made you feel like a million bucks when it happened.

There was just one thing that I couldn’t quite fully understand about Charlie. When observing him in his daily activities he had the slightly nervous and bumbling manner that suggested someone who, if not past his prime, at the very least must be having a bad day or possibly wearing the wrong spectacles.

In all honesty for a man his age, this should not have been any great surprise.  What didn’t quite jibe with this was the fact that amongst the upper echelon of sleight of hand magicians, Charlie was considered to be one of the very finest card manipulators living.  He was reputed to perform the smoothest second, middle and bottom deals in the business.  In spite of the fact that when you saw him handle playing cards he usually looked more likely to drop the deck than perform miracles with it.

After he had passed on, I gradually pieced together a different picture of Charlie.  It didn’t arrive all at once but bit by bit from people who just might know. The word was that Charlie knew a lot about gambling and gamblers. Different people said different things. A month ago I read Karl Johnson’s fabulous book ‘The Magician and the Cardsharp.’ While not the focus of the story Charlie Miller was a fascinating part of the storyline and a lot of my questions were nearly answered. If you haven’t read Johnson’s book you should, as it is great reading and a real page-turner.

It was an honor meeting Charlie Miller and I was just proud he knew my name.  However as I had sat with him, watching him eat his marathon meals, I knew that he reminded me of someone.  Only later on did I place the resemblance, it was my grandmother.  They had the same slightly abstracted manner and bumbling quality that seemed out of place with their obviously razor-sharp minds.

Now as I told you before, I don’t think my grandma was a card cheat.  And only once or twice a year does it run through my mind that Charlie was anything more than he appeared, but I sure would have loved to watch them playing as bridge partners.  Maybe I would have known for sure.  Maybe.