Albert Goshman re-invents the dinner show.

•May 3, 2013 • Leave a Comment

Albert GoshmanIn a community crowded with ‘one of a kind’ individuals nobody has ever come close to replacing Albert Goshman. I first met Goshman at the Magic Castle outside the Close-up Gallery. It was Friday lunchtime and I had just finished performing my show. Proudly featured in my performance was Ken Brooke’s sponge ball routine. I was using the set of ‘Goshman Sponges’ that I had purchased a few years before in London. After the show Albert stopped me as I passed by and said, “Those sponge balls aren’t clean enough to make someone hold. Buy some new ones!”

In England genuine Goshman sponge balls were not only expensive but also hard to find. The tendency was to use them as long as possible. The moment I thought about it I knew Goshman was right. I mention this story because it might just make me the only magician ever to be chided by Albert on the topic of personal appearance!

The most amazing thing about Goshman was the difference in how his magic looked and how he looked. The magic was neat, smart, organized and a joy to behold. Albert on the other hand consistently looked a mess! He always looked as rumpled as an unmade bed dressed in clothes that needed dry cleaning a week ago! Albert really liked his food and he was a messy eater, it was easy to track his meals for the day by the trail of the stains on his clothing! When at the Castle performing in the dining room Albert was a frequent visitor back in the kitchen area where he ate a ‘progressive’ supper.

One evening Albert was hired to entertain a group of VIP’s in the Houdini room. The event planner wanted to impress her Albert Goshmanguests and let it be known that she wanted Goshman to look his very best for the group. In fact she paid a premium to ensure that this would be the case. Albert’s wife packaged him of the Castle in a spotless tuxedo and even a pair of gloves to keep his hands clean.

Goshman looked as elegant and sophisticated as anyone could remember seeing him. The event planner, aware of Albert’s natural tendencies, even came up with a plan to keep him looking that good. The Maitre ‘D and kitchen staff had all been visited and cash had changed hands to ensure that no food would be given to Albert prior to showtime. Albert was not happy about this.

When it came time for his show, an immaculate and stain-free Albert Goshman, sat down in the Houdini room behind a freshly polished saltshaker and as always wowed the crowd with his brilliant close-up show. The event planner sat in the back of the room delighted that her plan had worked so well. However, just prior to Albert’s rising cards routine, he made direct eye contact with the party planner and proceeded to pull a large beef rib from his inside jacket pocket! Never breaking eye contact with the astounded party planner he ate a few bites of the rib and then casually replaced it in his pocket before proceeding to finish his show.

 Game, Set and Match to Goshman!

A little Magical Mental Experiment.

•May 2, 2013 • Leave a Comment

McCombI hope I’m not turning scholarly! It did occur to me that it would be a fun experiment to have all my readers to take part in a little experiment. It is a neat mental manipulation of neurons, designed to shake things up a bit, and maybe give a boost to your act. The only side effect is that it might affect your complacency.

One of the many nuggets of wisdom I ponder upon in the Bible (AKA ‘McCombs Magic: 25 years Wiser’) is the tiny hint about combining two tricks into one effect. It’s only a couple of pages long, the essay in question—but I have found much wisdom therein. I suggest you seek it out and read it carefully.

—–It is sometime in the early 80s, I get a call from the talent agent booking ‘The John Davidson Show,’ “Got a trick that will work with the theme of ‘Hill Street Blues?” he asked. “Of course I do—the perfect one!” I lied in response. “OK, we tape tomorrow afternoon.” He concluded. I was already panicking.

I went to that little chapter in ‘McComb’s Magic’ and read Billy’s priceless advice and the routine that he illustrated it with. The routine (when I finished with it) involved a card in wallet, a set of linking rings, a tambourine and a pair of thumbcuffs. I rehearsed the routine, taped it the next day and have used it on occasions ever since.

I then did a little thinking about this ‘two for one’ approach to magic, and how much it strengthens the performer’s show. I combined two of my favorite tricks into Nickone routine and it was a smash hit. There was something very special at work here, I might not have known the word at the time but it was ‘synergy.’

Since that first discovery of linking two routines together, I have allowed this philosophy to color my entire performing repertoire. It achieves surprise, originality and unique results, even when performed with very familiar tricks and effects. You can use the same pieces of the jigsaw puzzle to create a different picture. To put it another way, I can work on a cruise ship following 6 other magicians, do the same tricks and make people forget they have already watched something very similar.

Here is where the mental experiment comes in, sit down comfortably and with pencil and paper or pixels make a list of the various tricks that you can perform in a pretty decent manner. Don’t write much down—just the name of the tricks. When you have completed the list—sit and stare at it, for a while. Keep your mind as blank as possible and gradually try and see if any of those tricks seem to gravitate towards each other in your mind. Maybe because of the props they use or even just the way they hit an audience when you perform them. Just mull things over in your mind.

The ideal solution you are looking for is almost an equation: Perform a trick, add another trick and allow each trick to improve the other in some way. You should end up doing more magic in less time—a great goal for this day and age.

Next make out a new, much shorter list that combines the names of those tricks you have united mentally. See if you can find two or three such pairs of tricks, then spend a few days running this new list through your mind. Notice if anything exciting bubbles up to the surface, it certainly has for me over the years. If the experiment doesn’t work initially then repeat it—eventually it will work.

If you have any brainstorms and want to share them, email me at nicklewin1@mac.com

Developing your magical persona.

•April 23, 2013 • Leave a Comment

Houdini1.1Before we talk magic, let’s look at the definition of the word style that comes up on my Mac after I double click the word and then three finger click it. Ah, I do love these new gestures that are possible with the Mac trackpad!

Here is what arrived,

1 a manner of doing something:

2 a distinctive appearance, typically determined by the principles according to which something is designed:

3 elegance and sophistication:

4 a rodlike object or part, in particular:

I think we can rule out the fourth definition, but let’s look more closely at the first three. How can we apply them to magic?

‘A manner of doing something,’ well, to me this implies a consistency of approach that unifies all the separate ingredients that blend together and create a show. It applies to what you do in the show, what you say in the show and how you execute these elements.

The first step to becoming an elegant and sophisticated (see definition three) performer is to follow that great aphorism ‘Know Thyself‘ which is most often attributed to Socrates. You can not develop any form of individual style without looking very carefully at who you are–in particular your strengths and weaknesses.

While it is possible to construct a totally separate stage persona from your real life attributes, it isn’t easy. If you are aren’t a smooth, elegant, good looking charmer, who moves well–then a silent manipulative act probably isn’t your thing. Look at yourself physically and make sure that you are actually seeing yourself as an audience member will see you. Better leave that to the Lance Burton’s James Dimmare’s and Jason Andrews of the world.

If you aren’t a skilled talker, with a ready wit and sense of humor then chances are you shouldn’t be telling jokes in your show. You can’t just take a bunch of stock lines and string them together and have any hope of achieving style. Maybe you should be looking at the kind of magic where the situation is funny and it is this that makes the audience laugh. Then little by little you can add a line or two that is funny because it came from within you and is truly your style.

The sad truth is that you can’t borrow style, you can’t buy style, you can’t steal style. If it belongs to someone else then it will never really be your style. What you CAN do is to learn about style by watching how other people have developed and applied their own style.

In magic there are so many routines available in books, DVDs etc. that a magician can begin to believe that everything out there is available and it is acceptable to AcornWorkflow-2013.04.21 18.01.53 - Version 2borrow, use or steal anything. You don’t own a trick by buying it, reading it or outright purloining it. Style is something that has to come from a master game plan that you have developed. Otherwise it’s monkey see-monkey do.

I am a huge fan of Jeff McBride and Eugene Burger, I am also a big fan of the style which Jeff has brought to teaching magic to his lucky Mystery School pupils. It worries me more than a tad when I see how many of his students seem to want to become McBrides. They dress like him, perform like him and although I haven’t any inside knowledge of Jeff’s take on performing, I find it hard to believe that this is any part of his philosophy. I suspect/hope that it is a passing phase for these individuals though.

On a very practical level (my favorite one) to fine tune your own style you can examine your act and pick it apart with a fine tooth comb and eliminate items that may work on some level but are counter intuitive to making you the performer you really want to be. First develop the vision of who you want to be–make it based on who you are, and then chip away everything in your act that stops this happening.

I often hear magicians excuse the use of a hack trick or a hack line by saying, “Well, it works,‘ or “It get’s a laugh.‘ However, ask yourself what it says about you that you haven’t found a better way to express your personal style and personality. The failure to do this is one of the reasons there are so many magicians and so few artistes and stars in the magic world.

You are selling yourself short if you just want to be a haphazard amalgamation of everyone else. Learn from others how to develop your own style, when you have learned everything you can from them–move on to someone else and see what you can learn from their approach. We all need teachers, role models and heroes, but at some point (to steal a key lesson from ‘A Course In Miracles,) “The time for learning is over.”

It is way tougher to learn to be yourself when performing than to execute the perfect second deal! A second deal is only perfect when you don’t realize it is happening–I guess that’s kinda‘ my theory on style. While not wanting to simplify it to the “You’ve either got or you haven’t got style………” from the song lyric, I guess what I’m saying is work like a maniac to become a person with your own style and then learn to forget about it so it doesn’t look phony.

Latest reviews of my Ultimate Linking Finger Ring Routine.

•April 20, 2013 • Leave a Comment

778928Package

Some quotes about the routine.

Jeff McBride said, ” I’ve seen Nick Lewin perform on stage in Las Vegas and can say this…his routine is the most entertaining Linking Finger Ring Routine I have ever had the pleasure to witness.”

David Regal said, ” The Linking Finger Rings is one of the great magical effects, and Nick Lewin’s original approach possesses elements found nowhere else.. It fools the eyes, ears and more importantly the mind.”

 Mac King said, “Nick Lewin’s solution for the Himber Ring routine is far and away the best one for any real working magician. If gyou really want to sell your routine put me first on the list.”

Gaetan Bloom said, ” The best routine I have seen with the rings……a killer.”

Billy McComb said, “Nick’s routine is far and away the best in the business and is one of the reasons he makes the big bucks!”

Richard Webster said, “Nick’s version is hilarious, mystifying, and one of the closest things to real magic I’ve ever seen.”

Kozak said,”There are reputation makers and there are money makers, this routine is both!”

JNeal Brown said,”I am overwhelmed by the beautifully produced book that accompanies the discs! To say I am impressed is the very definition of understatement.”

Nick

In the last 30 years I have developed a totally unique routine that, along with a handful of others, has earned me a fine living. The impact of the routine is achieved with a collection of linguistic and psychological subtleties that is not easy to teach. It requires enormous attention to detail in order to pass on the full routine. It is a truly stunning piece of magic and the impact on an audience is astounding. The effort to both teach and to learn it correctly is well worth the detail and effort.

The routine that I am offering is presented with exactly that degree of detail. This limited edition of the routine will come complete with the Book, a DVD, and a 50 minute Skype or similar one-on-one learning session. It also comes with a numbered certificate of authenticity and full performing rights. I believe anything less would fail to do it justice. Only the first 100 sets will have full television performance rights included.

I made my debut on American television with an early version of this routine on the Merv Griffin Show. Merv described it as, “The

most amazing piece of magic I have ever seen.” I performed the fully fledged routine on a cable special that aired on Comedy Central and it received an ACE nomination for excellence in cable broadcast. Those TV rights mean something!

My performance of this effect at the Hollywood Foreign Press (the group who present the Golden Globe Awards) ‘Tribute to Orson Welles,’ was another milestone in my career. The producers hired me to perform this specific routine because they realized its amazing impact and decided it would be a fine tribute to Mr Welles’ love of magic. I followed Peter O’Toole in the event and proceeded Jane Fonda. I would like to claim it was me they wanted, but it wasn’t—–it was this routine!

This routine is not for amateurs but the a professional performer who will take the time to learn to present it in the correct manner. While not a complex routine from the sleight-of-hand viewpoint, it has a structure and a dialogue that needs to be studied very carefully. My package teaches you how to perform it with devastating effect almost anywhere at anytime.

The limited and numbered Book, DVD, CD package including full performing rights costs $350. This includes a personal Skype session. If you wish to order this routine then visitthe online store on my website at  www.nicklewin.com 

If you have any questions please feel free to contact me. I am happy to answer specific questions if they are thoughtful and intelligent! Send me an email at nicklewin1@mac.com to keep in touch or to reserve your  number and place amongst the 100 people who receive this package.

#1 Ladies Ring thru Man's Ring

This is a review by one of the men I most respect in the magic world. A brilliant writer

and magical thinker, Richard Webster’s review meant a lot to me.

Four years ago, Nick Lewin entertained a party of my friends. They’re still

talking about it. They remember Nick’s energy, charm and humor – and his

linking finger rings. The impossibility of the effect, and the fact that it

was done using their own rings, places the linking finger rings in the

miracle category.

In this book, Nick has included absolutely everything you need to perform

this effect. Every detail, every nuance, is clearly covered. Nick has honed

this effect over thousands of performances in every type of situation, and

his knowledge and expertise is apparent on every page. His advice on the

type of ring to buy surprised me, but it made perfect sense after reading

why he uses the particular ring he does.

That small piece of advice alone could save you a great deal of money. The

second part of the book takes you step-by-step through the performance of

the routine. Nick clearly explains every detail, and even includes his

hilarious faith-healing stunts, complete with the sound effects which are on

the CD contained in the package. Nick also includes a DVD containing full

instructions and a complete performance.

After watching Nick perform his ultimate linking rings routine, and knowing

how he did it, I wrote: “When Nick linked the rings directly in front of me,

the only explanation I had was that it was genuine magic, I still get goose

bumps when I recall the moment.” If you want to perform real magic, and give

your audience goose bumps when they think about your act afterwards, you

should seriously consider buying Nick Lewin’s Ultimate Linking Finger Ring Routine.

#17 Removing the unlinked Ring from the Bunched Rings

 

 

Fire

A Palace show fit for Royalty.

•April 19, 2013 • Leave a Comment

Tom Burgoon A visit to the Magic Castle last week ended up with me seeing one of the best Palace shows that it has been my pleasure to witness. It was well planned and booked, and a delight to watch such skilled performers each making the room their own; let me give credit to them all.

The bill was emcee’d by funnyman Tom Burgoon, who started the show by borrowing a quarter. Doesn’t sound like much of a kick off to a show, does it? Well believe me, he got lots of laughs and warmed up the crowd instantly—he even set up a ‘call back’ for later in the show. He quickly broke the ice with the crowd and set the stage perfectly for the first performer—the real job of any MC.

As the first ‘real’ entertainer David Sandy performed a  smooth and polished act. He looks, and is, extremely skilled both in his magic and the relaxed manner in which he presents it. There was no hurry, no fuss—just smooth magic that won the audiences heart and mind. There was a also a little good-natured participation in the show from Burgoon, I always enjoy this kind of crossover reaction between performers—as did the Castle audience.

The centerpiece of Sandy’s show was the ‘Blaney Levitation,’ which most surely rate as one of the greatest illusions ever created. It is baffling and beautiful to watch headshot1and fools the eye and mind in an immaculate fashion. The manner in which David set his audience volunteer at ease was an object lesson on the topic for other performers. Given the shortness of the dress his volunteer was wearing—this could have been a problem!

Burgoon then reappeared to present his own act, which was original, fast paced and very well received. He is a genuinely funny performer, who has spent a great deal of time honing his material into a seamless attack on his audience’s funny bone. His facial expressions and constant laugh lines were enough to keep the audience laughing non-stop. His signature ‘Toilet Paper From Mouth’ (If you haven’t seen him—don’t even ask!) was a delightful surprise and it made me laugh a lot!

Closing the bill was the ‘Classic Contemporary’ manipulation act of Jason Andrews. Elegant and artistic, Andrews brings a youthful charm and sophistication to this style of magic that I haven’t seen since the early days of Lance Burton. The classic elements of a manipulative act are the framework for Jason’s tightly knit show, however it is his charm and sheer presence that seal the deal.

Jason AndrewsI have been following Andrews career for quite a few years now and the Castle audience just saw his eight-minute manipulative act. However, I have seen his full-fledged show that incorporates illusions, comedy and stage magic. Very few performers in their mid-twenties can carry off an entire two-hour theatre show the way Jason can.

Andrews just returned from an extensive tour of Turkey, which included a residency in the Trump Tower in Istanbul. He returned with a rush of confidence and experience that has enlivened his Castle show in no small way. The toughest test of a magician is often the way he handles his applause and the reaction to his feats of magic. The casual and knowingly underplayed manner in which Jason presented his tricks and accepted his applause resulted in standing ovations throughout his Castle engagement making.

I hope I have given you a taste of the great magic and comedy that was on display at the Castle last week, in nearly 40 years I don’t remember a bill that was better balanced and booked. After 45-minutes the audience left the room discussing in delighted voices what they had seen and isn’t that exactly what we want in our club.My only disappointment was missing out on a birthday drink with the inimitable Milt Larsen, who had turned 82 earlier in the week. Happy Birthday Milt—without you none of this would have been possible!

I just got a rave review for my ‘Cruise Magic 101 How to make a great living performing on cruise ships’ in The Linking Ring magazine. It is featured in my website.

www.nicklewin.com

My friend Piet Paulo. Equal parts Southern Gentleman and Hollywood Hipster.

•April 13, 2013 • 4 Comments

IMG_6001Some of my happiest memories of Los Angeles in the ‘70’s involve driving around Hollywood in the longest, blackest Cadillac I had ever seen. The Cadillac had a fascinating history to it just like the magician who owned it. The man behind the wheel was a master magician called Piet Paulo. Equal parts Southern Gentleman and Hollywood hipster, Piet is my dear friend, confidant and teacher.

When I was a kid I had a Chinese box that looked like a patterned block of wood until you explored it a little further and found the one strip of wood that slid to the side. Once you had moved that first piece then another area was unlocked, then another and so on; eventually you achieved access to the little secret compartment at the centre of the box. Piet reminds me of that box. You have to puzzle with Piet a little and then gradually he unlocks and you get a handle on the next piece of the puzzle.

I first started to get to know Piet in the late seventies when we were in Calgary, Canada taping a magic special. The weather was very cold and we were isolated in our hotel. An adjacent Chinese restaurant the only place to escape to; it gave you plenty of time to talk. One aspect of Piet is his mastery of the metaphysical side of magic. Along with Jeff McBride, Jack Goldfinger and the late Channing Pollack when you sit and discuss magic, science, philosophy or religion with Piet you will learn something. His knowledge is extremely wide and wonderfully eclectic.

I also learned a great deal of priceless tips about the real secrets of presenting and traveling a big magic show from Piet ,we began working together and had a Piet, Dai Vernon, Joe Cassari, andMike Skinnnersimple and incredibly effective partnership. Piet performed the big illusions and I performed the small comedy routines between the big tricks; we closed the show by performing the Mis-Made girl together. It was a fast paced show with plenty of laughs and magic and every time we worked a gig it led to more. What did I learn from Piet? I learned plenty of tiny and practical tips; such as traveling my working shoes inside old socks to avoid them getting scuffled. That may sound insignificant but just look at performer’s shoes at the next magic convention you attend!

I learned some real magical secrets too. Piet taught me his routine for the Broomstick suspension. If you haven’t seen Piet’s handling of the Broomstick’s then find a tape and study it if you have any real interest in illusion. I will state unequivocally that his routine is second only to the late Richiardi and Piet doesn’t need to travel a carpenter with him!  It isn’t just the big tricks that Piet performs; his dove work is immaculate and his manipulation superb and original. Maybe he eventually got sick of seeing me work gigs with just a briefcase because he thought out a comedy act that was unique and really funny. Billy McComb considered his vanishing cabbage routine one of the funniest bits he had ever seen.

There is much more I could tell you about the many lives of Piet Paulo but maybe you will be lucky enough to find the sixty-foot boat he is living on since he retired and then you can hear his stories first hand. You will be amazed because when I say ‘the many lives of Piet Paulo’ I use the words carefully.

Broom

Diana Zimmerman, Channing Pollack, Piet Paulo

IMG_5907

IMG_6002

Balls-smoke-tiltshiftBall

IMG_5886

Piet Yvonne

AcornWorkflow-2013.04.15 12.51.38

Piet Paulo and Ron Wilson

 

IMG_6001

Needles

PYD 101 framed

Peter

PietRobot

Piet (1) copy

IMG_5836

‘Adam London at the D,’ a great new Las Vegas Comedy Magic show.

•April 11, 2013 • Leave a Comment

Adam HEADSHOT(1)Las Vegas has a lot of magic shows going on, actually there are way to many! However a new one has opened that is well worth your time to visit. ‘Adam London at the D’ is a really enjoyable show, and it is also a bargain. Best of all it will give you a chance to see a relatively new comedy magician who is definitely going to be around for the long haul. There is nothing more satisfactory than being able to boast, “….but I saw him when…”

What exactly is the ‘D’ you might well ask, and why is Adam London there? The answer is simple; The ‘D’ is a nicely renovated hotel in Downtown Las Vegas about a city block from Freemont Street. Adam performs a 4:00PM show there seven days a week. Ticket prices are listed at $24:95, however there isn’t a show in town where it isn’t worth checking for a better price than the advertised one!  The website for the ‘D’ is www.thed.com/entertainment/

Born and raised in Ogden City, Utah, Adam London has carefully honed his craft in comedy clubs and other venues across the country and is a skilled comedian as well as a talented magician. His biggest asset though, is the fact that he is a genuinely likeable person who is obviously thoroughly enjoying what he does. He radiates a simple and genuine quality that transforms his act into something rather special.

Audiences warm to London within a few seconds of his walking out onstage, and in a city where you can scarcely throw a deck of cards without hitting a magician this counts for a heck of a lot. It is amazing how many of those magicians forget to charm their audience as well as fool them. There is plenty of bite in Adam’s comedy too, don’t let me paint an incomplete portrait. You didn’t get soft or mushy working in comedy clubs, and there is a pleasant amount of edge behind his quirky combination of jokes and tricks.

When I saw the show, there were quite a few youngsters in the crowd, and they were really enjoying what was going on; and so were the adults with them. This is my idea of a real family show. The 60-minute show moved along effortlessly and held the attention of everyone present. From the pre-show video ‘till the closing trick, things never got dull for a second.

London opens his show with some great observational comedy about himself and his background. The crowd enjoyed the slightly askew element that arose from Adan and Young audience member.his good-natured jokes about his Mormon roots. It also set up some great future callbacks for the comedy in his show. There was excellent use of music cues and sound effects to heighten the comedy.

The (sort of) theme of the show revolves, in a slightly hazy manner, around London’s love of those little yellow rubber ducks that kids like to float in their bathtubs, or throw hoops around at carnivals. Hey, I’m just telling you the theme of the show, not trying to explain it! The only way to fully grasp it is to see the show—and you might not succeed in getting it too straight even then.

London is a published author of a popular children’s book about the adventures of one of these plastic ducks, maybe it all makes more sense if you’ve read the book. There was a line of youngsters after the show who were delightedly waiting for Adam to sign their copies, he was also signing $1 rubber ducks as souvenirs. Mostly the kids just seemed to want to spend a few minutes talking with London, who was gracious and generous with his time.

The magic in the show varied from a very strong handling of the ‘Tossed Deck’ and the ‘Hydrostatic Glass,’ to a truly surreal segment where he draw a characterture on a board and sang a spirited duet with it as it came to life. He also performs a unique version of a destroyed and restored ring in M & M package. Oh, and did I mention there were rubber ducks!

Over the years I have become rather jaded watching comedy magic—heck I’ve made a living doing it for over 40 years, but I found the show fresh and funny. Is there room for the show to get a little tighter and more focused? You bet there is, and I have no doubt that it is doing so day by day. This is a smart performer with a great career ahead of him and I strongly suggest if you are visiting Las Vegas you head down to the ‘D’ and catch the comedy and magic of Adam London.

Check out his website at www.quackmagic.com

I have some great products and videos online. Check them out on my web site.  www.nicklewin.com

 
Follow

Get every new post delivered to your Inbox.

Join 45 other followers

%d bloggers like this: